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...worst season of opera that a resident Chicago company has ever presented. For a pageant finale there was Respighi's new La Fiamma, with massive choruses, lavish orchestration, an impassioned, queer-grained heroine who is burned at the stake for indulging in witchcraft. The heroine was Soprano Rosa Raisa, bluff in acting, uneven in voice. But Raisa, a relic of Samuel Insull's opera days, was an ace compared with the majority of the singers who have appeared in Chicago this season.* La Fiamma was by & large the City Opera Company's most creditable production...

Author: /time Magazine | Title: Music: Chicago's Worst | 12/16/1935 | See Source »

Last week President Karleton Hackett of the Chicago City Opera Company announced a five-week season to begin in November in the Civic Opera House. Top price: $3. President Hackett said negotiations had been opened with Bori, Lehmann, Pons, Maria Jeritza, Claudia Muzio, Rosa Raisa, Tito Schipa, Ezio Pinza, John Charles Thomas. The repertory will include the U. S. première of Respighi's La Fiamma, Puccini's La Rondine, Strauss's Der Rosenkavalier...

Author: /time Magazine | Title: Music: Setting Stars? | 8/19/1935 | See Source »

...that Impresario Longone got for the money bears evidence to the passing of fantastic fees. Soprano Maria Jeritza, who opened many a Metropolitan season, was to sing the first night in Tosca. Mario Chamlee, John Charles Thomas and Grace Moore were listed for later on. Edith Mason and Rosa Raisa, two of Insull's singers, were back New Year's Eve Marion Talley will sing in Rigoletto, the opera in which she made her sensational Metropolitan debut seven years ago (TIME, March 1, 1926) For four years Miss Talley has been in re tirement, ostensibly wheat-farming...

Author: /time Magazine | Title: Music: New Ballet Russe | 1/1/1934 | See Source »

...reverberations of the mightiest crash of the Depression still rumble ominously back & forth across the western world. Last week Insull echoes were again rolling heavily around Chicago: ¶ To be on hand for the rebirth of the Insullated Chicago Civic Opera Company this week (see p. 18), Rosa Raisa and her husband, Giacomo Rimini, required cash advances for traveling expenses. Just before the opening Soprano Raisa told" the story of how she and her husband lost their entire fortune through Samuel In-sull's investment advice. The utility tycoon had sent a representative in 1926 to urge...

Author: /time Magazine | Title: Insull Echoes | 1/1/1934 | See Source »

...very, very rich woman." Each year thereafter she and her husband gave Insull at least $50,000 to invest for them. Each year he would tell them how much paper profit he had made them. One year he said their profit was $500,000 - 100% on their investment. Rosa Raisa wanted to cash in then & there but Insull would not hear of it. The stock was not delivered to them until after the crash and then with the stipulation that it must not be sold. After they refused to buy more Insull stock, she said last week, both...

Author: /time Magazine | Title: Insull Echoes | 1/1/1934 | See Source »

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