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Word: raiser (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

This ear-catcher, signaled by a blast of steam, is The Music Man's curtain-raiser, an invitation for the audience to visit River City, and an underscoring of Director Da Costa's feeling that "the job of the theater is not to feed pessimism but to dispel...

Author: /time Magazine | Title: Theater: Pied Piper of Broadway | 7/21/1958 | See Source »

...curtain-raiser of the evening was a rather disquieting short opera, The Poor Sailor, by Darius Milhaud. The libretto, by Jean Cocteau, is a weird, disturbing story which is reinforced by a sinister, but otherwise undistinguished score...

Author: By Paul A. Buttenwieser, | Title: Divertimento and The Poor Sailor | 4/18/1958 | See Source »

...never sets on Harvard alumni-abroad on the armed forces radio network. Radio Luxembourg, the Voice of America, and various outlets in the Orient. But the nation's wealthiest educational institution was addressing an audience far larger than its own alumni. Manhattan Banker Alexander White, head Harvard fund raiser, stated the issue clearly: "Every American college is in serious financial trouble. Harvard is best off of all the colleges and Harvard is badly off. It is for you to decide-and then give to the college of your choice...

Author: /time Magazine | Title: Education: Colleges | 4/7/1958 | See Source »

...sold bonds for a few years after his graduation (A.B., economics) from the University of Kansas in 1925. Eventually he went into the family banking business, took over in 1942 as president of the First National Bank of Lawrence. He played his first political hand in 1952, as money-raiser for Adlai Stevenson's first presidential campaign...

Author: /time Magazine | Title: KANSAS: The Governor Bids a Slam | 1/27/1958 | See Source »

...curtain raiser by Tennessee Williams, This Property is Condemned, is equally well-performed, but the play is merely a minor re-working of the inevitable Williams theme of a woman who lives in a world of illusion. The boy who meets the tawdry heroine on a railroad embankment merely establishes the situation. Limited though it is, the part is well-handled by Walter McGinn. Jane Cronin is entrancing as she delivers this bubble-frail poetic monologue without benefit of scenery. She provides an object-lesson in good acting...

Author: By Gerald E. Bunker, | Title: No Exit and This Property Is Condemned | 12/10/1957 | See Source »

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