Word: raisining
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...seems to be known mostly for the men in her life: Bill Cosby, with whom she co-starred in NBC's hit sitcom The Cosby Show, and now Sean (P. Diddy) Combs, with whom she's appearing on Broadway in A Raisin in the Sun. But Phylicia Rashad is winning plaudits on her own, most recently a Best Actress Tony Award. She spoke with TIME's Richard Zoglin...
...song on the country chart, and the rest of the nation cowers in fear at the crossover to come. Like its Achy Breaky ancestor, Redneck is such an exaggerated piece of cornpone--"I'm a redneck woman/I ain't no high class broad/I'm just a product of my raisin'/I say 'hey y'all' and 'Yee Haw'"--that it succeeds as both a genuine ode to hillbillies and a genuine joke about hillbillies. Wilson, who has obviously been studying her Shania Twain, sells the song hard, and with an endorsement from Kid Rock, who appears in the video, Redneck...
...years - it's that comments such as the ones Cosby made could be used as bricks for different groups of blacks to wall themselves off from each other. That would be a shame. Right now, on Broadway, Cosby's erstwhile sitcom wife, Phylicia Rashad, is co-starring in A Raisin in the Sun alongside one of the most successful current purveyors of hip-hop slang, rapper/would-be actor Sean "P. Diddy" Combs. When I saw the show, I thought there was something profoundly appealing about seeing two different generations of black entertainers performing together in a classic play. Cosby...
Landmarks in theater aren't what they used to be. Back in 1959 Lorraine Hansberry's A Raisin in the Sun became the first play by a black woman--amazing to think now--ever to open on Broadway. It was a breakthrough in subject matter too, focusing on the struggles of a poor black family in a Chicago tenement at the dawn of the civil rights era. The revival of A Raisin in the Sun that opened last week on Broadway is groundbreaking in a way more suited to our times. It stars a hip-hop impresario with scant acting...
...does A Raisin in the Sun still cut it? Its style, overflowing with characters and earnest speeches, can feel dated. So can many of its concerns: the debate in the black community over "assimilation" vs. pride in African heritage, the fear that overbearing women are "holding back" the black male, the terror facing a black family as it prepares to move into an all-white neighborhood. But it remains a tough and truthful drama that raises all the key issues without haranguing. Even P. Diddy's presence seems somehow right. He represents a generation that has made the debate between...