Word: rakings
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Dates: during 1950-1959
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...when he quit U.C.L.A. to help run his father's bingo parlor in Venice, Calif. By 1937. he had moved to Reno. His operation has been growing ever since, and when he spread out to the shores of Lake Tahoe four years ago, he really began to rake...
...kind of disaster-and-triumph series that makes opera legends. Rehearsing the part of Anne Trulove in Washington's Opera Society production of Stravinsky's The Rake's Progress, the soprano was felled by a virus; she left the role to Baltimore's Phyllis Frankel, a singer who studied for an operatic career with famed Soprano Rosa Ponselle, has appeared with New York City Opera. Then the title-role tenor came down with laryngitis during dress rehearsal, was replaced by Mallory Walker, a 23-year-old soldier from Fort Myer, Va., where he is singing...
Cultural Backwater. Much of the credit for Rake's success goes to its director, tiny (5 ft. 2 in.) Paul Callaway, 49, organist and choirmaster at Washington Cathedral (Protestant Episcopal), who organized the Opera Society in 1956. In a city that has long been known as a cultural backwater, the company was financed by contributions averaging $100, plus some sizable gifts from Washington society's "cave dwellers," including Mrs. Herbert May (formerly Mrs. Merriweather Post), Mrs. Robert Low Bacon, Mr. and Mrs. Robert Woods Bliss...
Promising Boom. Last week's production of the eight-year-old Rake's Progress brought out as rare an operagoer as Walter Lippmann, also the Secretaries of Commerce and the Air Force, a sprinkling of ambassadors-all of whom seemed to glow at Washington's cultural boom. The opera company is not alone. Washington also has a promising ballet company and the fine National Symphony, whose reputation has grown steadily, today is not far from the top echelon of U.S. orchestras. This season the orchestra hopes to repeat last year's feat of landing...
...elaborate pretense that all this nonsense is on the up-and-up is carried into all levels of wrestling. The actors themselves insist that no one writes a script for them. Carried away with enthusiasm for the cash they rake in, agents and matchmakers join the chorus. "You oughta see the casualty list," says Mondt. But there are a few practitioners who have escaped to higher arts, and they are prone to tell it straight...