Word: ramey
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...Mephistopheles, even if he is the son of a meatcutter from Colby, Kans. One of opera's problems is that it is still necessary for a performer to win a % European reputation before he can impress a major American company. For proof of these maxims, consider Samuel Ramey...
...repertoire of classic, bel canto and romantic bass roles, Ramey, 45, is without peer. He is a seductive Don Giovanni and a boisterous Leporello in Mozart's Don Giovanni, a poignant Don Quixote in Massenet's Don Quichotte and a terrifying barbarian chief in Verdi's Attila. This month he is in Italy for appearances at La Scala in his favorite role, the sexy Figaro in Mozart's The Marriage of Figaro...
MOZART: Don Giovanni. Samuel Ramey, Don Giovanni; Ferruccio Furlanetto, Leporello; Anna Tomowa-Sintow, Donna Anna; Agnes Baltsa, Donna Elvira; Kathleen Battle, Zerlina; Herbert von Karajan conducting the Berlin Philharmonic (Deutsche Grammophon). Salzburg Recital. Soprano Kathleen Battle, Pianist James Levine...
...readings of his countryman's ineffable music have always been heavy and rhythmically sluggish, bereft of joy or bounce. His new recording, a warm-up for his production of the opera in Salzburg this spring and summer, never comes to fiery, diabolical life. It wastes the . talents of Ramey and Battle, and features an excruciating performance by Tomowa-Sintow as the hectoring, humorless Donna Anna. Far more harmonious is Battle's recording from her 1984 recital at Karajan's Salzburg Festival. The material is her familiar mix of early English songs by Purcell and Handel, German lieder, French chansons...
...early to tell how the hall ultimately will turn out. The Boston Symphony under Seiji Ozawa, which performed Mahler's "Resurrection" Symphony * during opening week, bloomed in the new environment, but the Philadelphia Orchestra under Riccardo Muti sounded harsh and edgy in Beethoven's "Eroica" Symphony. Bass Samuel Ramey effortlessly reached the far edges of the balcony in his triumphant January recital, but it took several minutes before Warren Jones, his accompanist, adjusted his touch in order to project each melodic strand cleanly...