Word: rammed
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Dates: during 1950-1959
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...take advantage of the power I have achieved; I can never become President." In 1940 he became President. After four years Batista allowed his hand-picked successor to be defeated in Cuba's first honest election and retired to Daytona Beach to enjoy his graft. The administrations of Ramón Grau San Martin. (1944-48) and Carlos Prío Socarrás (1948-52) respected civil liberties but not the treasury. Prío amassed millions by the time he fled Batista's coup...
...party board chairmanship. Then last fall Kishi ran into heavy public and parliamentary opposition to his bill for beefing up Japan's long-feared police (TIME, Nov. 17). Though members of his own party joined in the criticism of the Premier, Kono urged him to go ahead and ram his police bill through. As the din in the Diet grew louder, Kishi saw a sweet use for his adversity. Rounding suddenly on Kono last week, Kishi demanded his resignation, along with those of two other party aides. "Responsibility for the confusion in the Diet rests on these three...
Timeswoman Ruby Phillips has outlasted eleven Cuban governments, and has had a way with all of them. "Ruby knows as much about Cuba as I do," says ex-President Ramón Grau San Martin. Fulgencio Batista admired and respected the Timeslady. "Although Batista has no reason to be fond of our coverage," said Emanuel R. Freedman, the Times's foreign news editor and Ruby's boss, "she still enjoys his confidence." Ruby herself says simply: "I have good connections in every faction in Cuba...
...Surigao Strait, south of Leyte Gulf, with two heavy cruisers, a light cruiser and four destroyers, still distant from the main battle. He hoped to reach Leyte Gulf in time to harass U.S. landing forces there, but his entire contribution to the battle, as Historian Morison observes, was to ram his flagship into a crippled heavy cruiser of another Japanese force, after firing 16 torpedoes at two islands he mistook for U.S. ships...
...occasional attempts to introduce visual fire to her performances, she inclines to what one critic called "the battering-ram approach." This was noticeable again in her Chicago Butterfly, in which, after committing suicide, she flung the knife resoundingly to the floor and died somewhat grotesquely, crawling the width of the stage in response to Pinkerton's thrice-called "Butterfly!" But her real failing, say her harshest critics, is not one of stagecraft but of emotional involvement. While some observers recall her on the verge of tears after a performance of Butterfly, others remember her picking herself up after...