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Word: rammstein (lookup in dictionary) (lookup stats)
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...beers beforehand, and “Devil Digger,” which builds a thumping and grinding riff so great that one would find it hard not to at least bob a head to, if not bang. “Cyberface” sounds alarmingly derivative of a Rammstein song, with slow and thick riffing ensconsed in a keyboard melody, which shows that the band is not altogether above nabbing appealing aspects of modern music, but fans will be happy to hear that Priest have not gone so far as to throw any rap into their 21st century debut...

Author: NO WRITER ATTRIBUTED | Title: New Albums | 11/16/2001 | See Source »

...Rammstein...

Author: By Thomas J. Clarke, Tiffany I. Hsieh, and Daniel M. Raper, CRIMSON STAFF WRITERSS | Title: New Albums | 4/20/2001 | See Source »

Take away the flamethrowers, the medieval torture devices, and the phallic stage props, and what remains of Rammstein? A pretty good industrial band, apparently. While the German sextet’s U.S. debut (1998’s Sehnsucht) was a full-throttle fusion of electronic sounds and speed-metal riffs, Mutter is clearly the work of a leaner and smarter group. As usual, the key is Rammstein’s oh-so-Teutonic precision...

Author: By Thomas J. Clarke, Tiffany I. Hsieh, and Daniel M. Raper, CRIMSON STAFF WRITERSS | Title: New Albums | 4/20/2001 | See Source »

...Will,” brief ambient soundscapes make the whole track greater than the sum of its parts. The same can especially be said for the opening track, “Mein Herz Brennt,” the best industrial-speed-metal song Led Zeppelin never recorded. Of course, Rammstein is still a band in transition; the latter half of Mutter is filled with the sort of flimsy Ministry imitations (“Zwitter,” “Rein Raus”) that kept Sehnsucht from receiving serious critical acclaim. The group’s vaguely grotesque...

Author: By Thomas J. Clarke, Tiffany I. Hsieh, and Daniel M. Raper, CRIMSON STAFF WRITERSS | Title: New Albums | 4/20/2001 | See Source »

...wrists. Listen to The Singles 81>85 and then play Songs of Faith and Devotion Live...you will drive a shiny black cadillac into heady manliness. Contrasted with the new tribute album, Various Artists for the Masses, which features a lovely orange disk along with The Smashing Pumpkins, Rammstein and The Cure, The Singles 81>85 may seem like old news (the new remixes are uninteresting), but at least it's for real: weird, childish and weird...

Author: By Benjamin E. Lytal, | Title: Depeche Mode The Singles 81>85 Reprise Records | 2/12/1999 | See Source »

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