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Seat &Refuge. History has also contributed to the quiet splendor of Poblet. Being fairly inaccessible, the region was the last Moorish stronghold in Catalonia. Don Ramon Bereguer IV, count of Barcelona, drove out the last Moors in 1149, immediately founded Poblet as a memorial and an example to the fierce mountaineers of the region. Within the next half century, Poblet became a geographical and spiritual fortress of the combined houses of Barcelona and Aragon, and the resting place of their heroes. A century later, Poblet was a focal point of Catalonia's losing war with Castile. Philip II, Hapsburg...

Author: /time Magazine | Title: HIDDEN MASTERPIECES:: HIDDEN MASTERPIECES: The Monastery of Poblet | 3/21/1960 | See Source »

...helped to restore Poblet over the past two years, employing a craft knowledge inherited from Gothic times, which persists in Spain as nowhere else. Screens and iron chandeliers had come from Ramon Martí's hands. But it was with a crucifix for a Poblet chapel that Martí, a "mute, inglorious Milton" if there ever was one, had shown himself a son and proper heir of the early Gothic tradition at its most triumphant...

Author: /time Magazine | Title: HIDDEN MASTERPIECES:: HIDDEN MASTERPIECES: The Monastery of Poblet | 3/21/1960 | See Source »

...party treasurer, whose strategic position made him an ideal political fund raiser among businessmen. He also fired Finance Secretary Jaime Hernandez, whose job included the granting of dollar import licenses. As new Finance Secretary he named energetic Economist Dominador Aytona, 41. budget commissioner under the late incorruptible President Ramon Magsaysay. Aytona has already turned up 50 million pesos ($25 million) worth of questionable transactions, and has proposed indicting 50 customs employees...

Author: /time Magazine | Title: THE PHILIPPINES: Message from Garcia | 2/15/1960 | See Source »

...with such an extraordinarily successful Isolde, the Met lacks a competent Tristan. Because the opera requires a Tristan who is in every way equal to her, especially when the Irish bride is so commandingly portrayed, the Met's production does not satisfy entirely. Though Ramon Vinay and Karl Liebl are seasoned, intelligent performers, neither has the considerable vocal resources or discipline requisite for the taxing part. When Melchior left the Metropolitan's stage in 1949, there was no Heldentenor to replace him. By that time, Set Svanhom, his beautiful voice always a bit too lyric for the heaviest Wagnerian tenor...

Author: NO WRITER ATTRIBUTED | Title: Nilson and the Met | 1/13/1960 | See Source »

...size of its singing lineup. But last week, on the eve of a performance of Tristan starring new Soprano Birgit Nilsson (TIME. Dec. 28), the Met's three Heldentenore suddenly found themselves out of voice, the victims of winter colds. (The fact that two of them, Ramon Vinay and Karl Liebl, had been panned by critics after earlier appearances might have also affected their health.) Rather than cancel a sold-out performance, Met General Manager Rudolf Bing resorted to a technique normally used by Casey Stengel and the New York Yankees, sent in each tenor for a single...

Author: /time Magazine | Title: Music: Triple Tristan | 1/11/1960 | See Source »

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