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Department of State was made easier by the work of brisk, friendly Argentine Treasury Minister Ramon Cereijo, who came to Washington a month ago for the purpose...

Author: /time Magazine | Title: THE AMERICAS: Something Positive | 4/17/1950 | See Source »

Metropolitan Opera (Sat. 2 p.m., ABC). Aida, with Ljuba Welitch, Ramon Vinay and Robert Merrill...

Author: /time Magazine | Title: Radio: Program Preview, Mar. 13, 1950 | 3/13/1950 | See Source »

...ancient, arched glass showcases and shelves provided hominy grits, black-eyed peas, meats, light bulbs, soft drinks, laundry soap, fruit-jar caps, boxes of W. E. Garrett & Sons Sweet Mild Snuff, Ramon's Pink Pills, leaf twist tobacco, spools of J. & P. Coats thread and a hundred other items. As America's citizens gossiped around the four-foot, coal-fired iron stove, the talk was full of Christmas doings...

Author: /time Magazine | Title: THE NATION: Christmas in America | 12/26/1949 | See Source »

...customers was a wealthy Spanish cattleman named Ramon Samovia; Yant confided to Samovia that oil had just been discovered near some property he owned in Placerita Canyon-he would be rich as soon as he dug up enough money to sink a well himself. Samovia bought into his scheme...

Author: /time Magazine | Title: CALIFORNIA: All's Well that Ends Well | 12/19/1949 | See Source »

...sang like opera stars, but acted in the old arm-flailing tradition that has long been the curse of the opera stage. The first matinee was a revival, after nine years in the warehouse, of Saint-Saëns' Samson and Delilah. As a vehicle for Dramatic Tenor Ramon Vinay, the strong man, and Risë Stevens as a self-conscious seductress, the opera never got out of low gear. But in this case it was almost wholly the fault of Composer Saint-Saëns: his slow-moving Samson and Delilah is more often oratorio than opera...

Author: /time Magazine | Title: Music: Fragrant Cheddar | 12/5/1949 | See Source »

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