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...factor is a big part of what's new around here," said Even Randolph IV '57. "You've got to notice the females being everywhere." Said his classmate Norman H. Schwartz. "Harvard not a macho, male establishment any more. Observed Richard C. Scott...

Author: By Michael W. Miller, | Title: At Reunions, Merrymakers Recall Another Harvard | 6/9/1982 | See Source »

...Randolph saw it another way. "It looks like they've integrated the men and women in a very positive way," he said. "Students seem to be spending a lot more time working than dating and horsing around, the way we were in '57." "The students do look more intelligent than we were," said Hasiotis. "I remember a lot of us as derelicts hanging out the windows...

Author: By Michael W. Miller, | Title: At Reunions, Merrymakers Recall Another Harvard | 6/9/1982 | See Source »

...MARRIED. Randolph A. Hearst, 66, chairman of the Hearst Corp. and president of the San Francisco Examiner, who divorced Patty's mother in 1979; and Maria Scruggs, 49, widow of a California real estate developer; both for the second time; in Hillsborough, Calif...

Author: /time Magazine | Title: Milestones: May 17, 1982 | 5/17/1982 | See Source »

...after everyone has settled down the waiter starts humming and singing. This focus centers more and more on the one remaining empty table, which turns out to be the set. Thus begins the first of the three farces, Alphonse' Allais's "The Poor Beggar and the Fairy Godmother." Christopher Randolph, as the waiter, enchants the audience with his nonchalant egoism and warbles his strong voice as he sings both on and off the stage. This first farce consists of the waiter serving a poor beggar (portrayed in an appropriately pathetic manner by Sam Samuels) as they each complain about...

Author: By Rebecca J. Joseph, | Title: Savory Theater | 4/14/1982 | See Source »

...scene, she breaks into an uncontrollable hysteria then suddenly reverts to her previous composure. Samuels as Camembert, La Passionelle's husband, portrays the scheming, jealous husband with the proverbial evil, insane glimmer in his eye. Camembert is madly jealous of his wife's affections for La Mole, played by Randolph. Randolph, as the foppish lover, saunters around the stage and monopolizes it with his highly stylized movements. The scenes between La Mole and La Passionelle as they plot to throw a murder charge on the last character. Dupont (Stein), are marvelous. As the lovers develop their plans. Dupont, an innocent...

Author: By Rebecca J. Joseph, | Title: Savory Theater | 4/14/1982 | See Source »

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