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Cusack and Duke’s characters, however, are less compelling. Adam gets bogged down in an uninspiring relationship with a music journalist (Lizzy Caplan), musing on predestination at odd, seemingly random points in the story. It’s as if Pink tried to dispense with the heavy, emotional baggage of the film as quickly as possible, which eventually bogs down the film’s pacing. Jacob, having not been alive in 1986, spends the majority of the film running around frantically, trying to figure out how to get back to the present...
...underscored by countless administrators in their attempt to reassure nervous freshmen, the housing lottery is indeed random. House spirit may make students want some Houses over others, setting up expectations while knowing full well that they may not be fulfilled. Nothing can be done about the assignments, however hard we may pray to the river gods. Call me a river atheist; I got Pfoho. But who’s complaining...
...truly redeeming aspect of this film is its cinematography. The film’s plot does not move too quickly, which allows for a lot of visual development—the beautiful, washed out scenes of a southern road trip really feel that way. The group’s random stops at deserted houses, churches, and gas stations are all very visually appealing. The visual style also gives the film a certain voyeuristic feel, which is enhanced by the limited character development—they all talk about their actions, and eventually Brett actually tells the others the full story...
...disorientation starts in the very first minute. The play opens in the future - the year 2039, according to the program - as an elderly man stands amid an apocalyptic deluge of rain, and a fish falls out of the sky. We then move back and forth in time, in seemingly random order, with characters from different time periods - sometimes older and younger versions of the same person - often overlapping on the stage. Only gradually do the stories emerge of two apparently unrelated families, one in London and one in Australia, who have been scarred in different ways by tragedy and abandonment...
...potential usurpers do what the Chinese government requires: censor their search results (as Google still does, despite reports in the blogosphere to the contrary). Random searches on all three platforms on March 17 for "Tiananmen Square, 1989," and "Falun Gong" - two hot buttons as far as Beijing is concerned - prompted the usual government-approved pabulum on the subjects. If Microsoft and the others intend to be in China "to stay," as Mundie put it, there is no chance - none - that the censorship issue will change for them going forward...