Word: rangingly
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Dates: during 2000-2009
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...cast had to confront in their production was Grellong’s melodramatic script. The play’s complex intrigues come off as somewhat contrived—even though its story of publishing and plagiarism is not unfamiliar to Harvard—but the dialogue often rang even more false. Twice throughout the play, Elizabeth tried to win David to her side, telling him that unlike Chris, the two of them are “old inside.” Moments like this one, where the script was too self-consciously trying for depth, fell flat, puncturing the light...
...strained family dynamic. In his 2005 directorial debut, “The Squid and the Whale,” which he also wrote, Baumbach dealt with the crisis of a looming divorce and the repercussions it had for two young brothers. The film’s anguish rang true in large part because the script was semi-autobiographical for Baumbach; amidst all the emotional turmoil, what survived was the fragile beauty of boyhood innocence. “Margot at the Wedding,” Baumbach’s second feature, retreads much of the emotional territory...
Bernard Kerik, a mid-level New York City corrections official, was at home late one night in January 1995 when the telephone rang. It was his boss, Mayor Rudy Giuliani, who wanted to talk. Kerik had been Giuliani's driver and bodyguard during much of the mayoral campaign, and he offered to meet the mayor the next morning. "No," said Giuliani. "Now." It was 10:30, but Kerik trooped over to Gracie Mansion and joined the mayor in a poorly lit parlor, where they shared a bottle of red wine that had been a gift from Nelson Mandela...
...attention to the audacity and stupidity of our elected leaders." One woman pulled into the driveway bearing a photograph of her nephew, killed in action the day before. Another day, a Marine in uniform got out of his car to stand at attention and salute. Another day, the phone rang and Ann heard a woman on the line announce, "My son is one of those flags...
...original version. Standout track “Ágætis Byrjun” features the album’s sparsest instrumentation, allowing the listener to focus on the vocals. Never has Jonsi Birgisson’s otherworldly falsetto, both bright and haunting at the same time, rang through as clear as it does here.Companion disc “Hvarf” features three previously unreleased songs and two rerecorded pieces. Single “Hljómalind,” which has been known for the past seven years as “Rokklagi?...