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Such developments left the New York Times - which that year ran a story headlined IN SMALL TOWN, U.S.A., WOMEN'S LIBERATION IS EITHER A JOKE OR A BORE - in the awkward position of identifying Gloria Steinem as "Miss Steinem, editor of Ms. magazine." At that point, even the late language guru William Safire called for surrender. The Times refused on the grounds that the title had not passed into common usage. "We reconsider it from time to time," the editors mused, but "to our ear, it still sounds too contrived for news writing." Only in 1986 did the Times relent...

Author: /time Magazine | Title: Mrs., Ms. or Miss: Addressing Modern Women | 10/26/2009 | See Source »

...running backs, Cheng, Treavor, and I, we ran hard and that was a big part of our success overall,” Gordon said...

Author: By Timothy J. Walsh, CRIMSON STAFF WRITER | Title: NOTEBOOK: Tigers Endure Punting Woes | 10/26/2009 | See Source »

...They prepared well for us last year, they ran all over us, and we made it a point as a defense to get in and make sure we prepare well, make sure we come out and play it well, all out, leave everything on the field,” said senior linebacker Jon Takamura, who led the defense with eight tackles, including four solo and one for a loss...

Author: By Dixon McPhillips, CRIMSON STAFF WRITER | Title: Closing In | 10/26/2009 | See Source »

Hyperion Shakespeare Company’s “Richard II” wants very badly to explore the politics of gender. The production, which ran this weekend in the Horner Room of the Agassiz Theater, brings an all-female cast to Shakespeare’s history play in an attempt to question the nature of power and whether an authoritative ruler needs to be aggressively masculine. In reality, however, the production only half succeeds in its goal; though it successfully reinvents the character of Richard, it leaves the rest of the cast lagging behind. The directorial decision to focus...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: All-Female Cast Attempts to Show Majesty of 'Richard II' | 10/26/2009 | See Source »

...Written at the beginning of the 18th century, the Baroque opera narrates an Ancient Greek myth about a mortal protagonist whose jealousy for her divine lover costs her her life. But Harvard Early Music Society’s production of “Semele,” which ran this past weekend at the New College Theatre, manages to spruce up the antiquated setting quite a bit, perhaps predictably arranging the action in America’s own period of mythical free love and divine (ahem, drug-induced) revelation: the groovy 1970s. Nuanced but still exciting, “Semele?...

Author: By Marissa A. Glynias, CRIMSON STAFF WRITER | Title: ‘Semele’ Succeeds in Making Opera Feel Modern | 10/26/2009 | See Source »

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