Word: ranting
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Woodham specifically mentioned the Nietzsche character who declares God's death: "the madman," an enlightened being whom the rest of the world perceives as lunatic. The madman declares, "I have come too early ... My time is not yet." In his note, Woodham purportedly wrote his own rant: "I am not insane! I am angry. This world s___ on me for the final time. I am not spoiled or lazy; for murder is not weak and slow-witted; murder is gutsy and daring. I killed because People like me are mistreated every day... I am malicious because I am miserable...
...real excitement on this little EP, however, comes with the next three tracks. Together, they are smart, varied, powerful and uncompromising. At first, "As If Your Life Depended On It" seems to be a condemnation of used women in the vein of Hatfield's rant "Supermodel." However, an intricate pronoun game at work in the song reveals its actual subject: Hatfield herself. Instead of saying "I" over and over, Hatfield starts the song out in the second person, pointedly commenting on an unknown woman's pathetic dependency: "Crack a joke/light his smoke/as if your life depended...
...conventional story. The kind of wildly imaginative plotline that characterized his earlier and best-known satirical novels (such as the absurd, apocalyptic masterpiece, Cat's Cradle makes no appearance here. Fimequake is not so much wildly imaginative as wildly cantankerous, not so much a great read as a great rant...
Perhaps the most remarkable thing about Timequake is the genuine celebration of life going on beneath the rant and beyond the darkly comic bitterness. Early in the book, Vonnegut quite earnestly exhorts everyone to appreciate the sublime moments of beauty that pass unnoticed. He recalls his Uncle Alex, a Harvard-educated insurance salesman who made a point of noting such moments by saying: "This is nice. If this isn't nice, what is?" It is this uncharacteristic warmth, emerging cautiously from beneath the book's crusty exterior, which ultimately makes reading Timequake a rewarding experience...
Glazer's video for Jamiroquai is less flashy but nonetheless eye catching. The band is mostly unknown in the States; its current album, Traveling Without Moving, is a mere echo of stronger, tighter, better American R. and B. from the '70s. Virtual Insanity, a rant against technology that draws heavily, if not entirely successfully, on Stevie Wonder for musical inspiration, is the only truly catchy song on the album. In the video we see Jamiroquai's singer, Jay Kay, standing alone in a mostly empty room. The floor seems to move as he dances, sings and poses; furniture appears...