Word: rants
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Dates: during 2000-2009
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...Thomas Friedman's The World Is Flat, or some other tome on globalization. It was a slim Japanese volume called The Dignity of a State. Written by mathematician Masahiko Fujiwara, the book is ostensibly a nostalgic call to return to ancient Japanese virtues. But it's also a shrill rant that blames free markets for a wide assortment of Japan's?and the world's?woes. "Globalism," Fujiwara writes, "is merely a strategy of the U.S. that seeks world domination after the Cold War." The author also calls the market economy "a system that clearly divides the society into...
...young fútbol freaks, joga.com is a powerful tool. Users can view and debate the Ronaldinho ad ("Ronaldinho is the best player but that 4 times on the crossbar no way," writes Raymond from the Hague, Netherlands, on one board), organize pickup games and rant against the most severe problem facing the sport: racism. Members can blog, upload their own soccer video or view thousands of other clips, from the latest Arsenal highlights to Nikola from Bulgaria juggling the ball--in slow motion, no less--in his bedroom. "Some Tricks I Make!" reads the title...
Americans have resigned themselves to an inexorable fate. With a sigh and a shrug, they pull the gas pump off its handle, swipe their credit card, and cringe as the price meter climbs so fast that the dollar digit seems stuck at eight. Frustrated at their bills, they might rant to their friends, or perhaps even call their congressman...
Scoop up a few Grammys? Check. Rant about the President on live TV? Check. Launch a line of preppy duds? Check. The next item on rap star KANYE WEST'S to-do list is to create a book in the style of Japanese manga comics with animator Bill Plympton. Plympton, best known for short films that appeared on MTV in the '80s, met West when drawing the raw, smudgy animation for the hip-hop star's video Heard 'Em Say. After the two hit it off, they decided to collaborate on a book based on West's lyrics for Simon...
...taking on all this humor, grief, and occasional didacticism, largely in monologue form without reliance on interaction between characters. By and large, they rose wonderfully to the occasion. Among the men, Bryan C. Barnhill II ’08’s Brother #3 was mesmerizing in his rant on the assumption that young black men are dangerous, and equally so in the later scene in which he experiences its consequence. The women were consistently excellent, but the standout was Chiazotam (Cheech) N. Ekekezie ’08 as Lady in Red, who delivered a story of domestic abuse with...