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Later, in letters that he wrote to his biographer William Bradford Huie, Ray claimed that he had merely followed directions from a man he had met in a Montreal bar after his escape from the Missouri prison. Ray claimed he knew the blond Latin stranger only as "Raoul." He told Huie that Raoul had asked him to smuggle unnamed contraband into the U.S. from both Canada and Mexico, then buy a car and a rifle in Birmingham, and finally to drive to Memphis and check into a sleazy rooming house facing the Lorraine Motel, where King was staying. Ray insisted...

Author: /time Magazine | Title: The Nation: THE QUESTION OF CONSPIRACY | 6/20/1977 | See Source »

Indeed, as the chances of a House committee investigation grew, Ray began to hint that he had concocted the story about Raoul. Before Richard Sprague, the veteran Philadelphia prosecutor, resigned as counsel to the House Select Committee in a flurry of internecine committee bickering, Sprague interviewed Ray in prison three times. Sprague said they were beginning to develop a rapport. After these interviews, Sprague concluded that Raoul "does not and did not exist." Ray did insist, however, that he had had some help from unnamed others while he was a fugitive in Canada, Portugal and England after King...

Author: /time Magazine | Title: The Nation: THE QUESTION OF CONSPIRACY | 6/20/1977 | See Source »

...program proves that the animation technique need not impose any stylistic formula on the animator. The mood and subject of these short essays range from the melancholy romanticism of Raoul Servais's Sirene, a tale of love between a mermaid and a flutist after a holocaust, to the wry wit of Kick Me by Robert Swarthe in which the protagonist is a pair of headless legs...

Author: By Susan Cooke, | Title: Beyond Bugs Bunny | 1/26/1977 | See Source »

Nickelodeon makes use of a number of incidents reported to Bogdanovich by such pioneers as Directors Raoul Walsh and Allan Dwan. But more important to the film's relative success is the director's warm, but not sloppy feeling for the very earliest period in film history. In telling the story of a tangle-footed lawyer (Ryan O'Neal) who, in the course of fleeing an outraged client, literally falls into show business and accidentally becomes a director, the film perceives that the distinguishing characteristic of those pioneering days was an innocence derived from the fact that...

Author: /time Magazine | Title: Cinema: The First Picture Shows | 1/3/1977 | See Source »

...Andy Gleason and Raoul Bott...

Author: NO WRITER ATTRIBUTED | Title: Seven Lords A-Leaping... and Other Seasonal Matters | 12/17/1976 | See Source »

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