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Reiner rallied to win, 6-3, 6-3, and Harvard was off and running. Todd Lundy won at number two, 6-4, 6-2, Dan Waldman scored a 6-1, 6-0 romp over Raoul Sanchez-Elia at number three, and Kevin Shaw took his match at number four, 6-2, 6-2 over Bob Boiarsky...

Author: NO WRITER ATTRIBUTED | Title: Netmen Serve Up 9-0 Victory; Bruins No Match for Crimson | 4/19/1976 | See Source »

...Poland. When he came out of the army he found comradeship with a generation of gifted, irascible young .intellectuals and artists whose loathing of that "whole immense Schweinerei of the imbecilic war" crossed the frontiers of Europe: Jean Arp and Tristan Tzara in Zurich, George Grosz, John Heartfield and Raoul Hausmann in Berlin, Kurt Schwitters in Hannover, André Breton and his growing circle in Paris...

Author: /time Magazine | Title: Art: MAX ERNST: The Compleat Experimenter | 4/12/1976 | See Source »

Other Guggenheim fellows for next year include Raoul Bott, Higgins Professor of Mathematics, Alfred W. Crompton, Agassiz Professor of Zoology, and Roger W. Jeanloz, professor of Biological Chemistry...

Author: By Marc H. Meyer, | Title: Guggenheim Gives Fellowships for '76 | 4/5/1976 | See Source »

...worked out by a small group of artists over a span of three years; it was dead by 1907. It could coarsely be defined as what Matisse and France's Midi region did to half a dozen painters: to Maurice de Vlaminck and André Derain, to Raoul Dufy and Georges Braque, to Kees van Dongen and Henri Manguin...

Author: /time Magazine | Title: Art: Stroking Those Wild Beasts | 3/29/1976 | See Source »

Tricolors and Parasols. This sim ple optimism, underlying the aggressive color, is the main difference between Fauvism and expressionism. Every where one turns in this show, pleasure is celebrated: the tricolores and red, white and blue parasols in Raoul Dufy's street scenes, the rosy theatrical vigor of Van Dongen's scene of a couple out side a brothel. The Hussar (Liverpool Night House), 1906, the slapdash but infectious ebullience of Vlaminck's still lifes. The best sight of all, though, is Matisse inventing the Mediterranean; it is amazing to find how deeply one's images...

Author: /time Magazine | Title: Art: Stroking Those Wild Beasts | 3/29/1976 | See Source »

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