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...dukes appointed trial-by-combat, Richard appears high on Ed Wittstein's imposing baldaquinesque two-story structure, trimmed with heavily bordered stained-glass panels reminiscent of Raoul Dufy. The King is now clad in gold with white boots, and there are seven colorful flagbearers in position. It is a fine touch in this highly ritualistic play that the King and the Lord Marshal (penetratingly projected by Robert Lumish) actually sing some of their lines here as though running through a formulaic and time-honored chant. An onstage sidedrummer accompanies the King's staircase descent and ascent...

Author: By Caldwell Titcomb, | Title: 'Richard II' Has Highly Engrossing King | 7/5/1968 | See Source »

...womanizer who smirks curiously at Moreau until she pushes him off a balcony and his face turns from pure narcissism to pure terror. Another director might have made the balcony scene an urban one; Truffaut stages it along the Côte d'Azur, where Photographer Raoul Coutard makes the outside beckon like a Cezanne landscape. Even a minute role played by a little boy is observed with special insight. When Moreau puts on glasses and tries to con the boy into accepting her as his teacher, he reacts with an air of whimsical gamesmanship...

Author: /time Magazine | Title: New Movies: The Bride Wore Black | 7/5/1968 | See Source »

Rabbit Stew. Seeking all the support he can muster, De Gaulle freed eleven imprisoned members of the old "French Algeria" Secret Army Organization (O.A.S.), including its old chief, General Raoul Salan, who was serving a life term. Taking advantage of De Gaulle's mood, one of his bitterest enemies returned to France. He was Georges Bidault, 68, a Fourth Republic Premier who fled the country in 1962 after being implicated in an O.A.S. plot to overthrow De Gaulle. Bidault, an extreme rightist, seemed unlikely to play a major role in the elections, but he indicated his willingness to stand...

Author: /time Magazine | Title: World: FRANCE: CAMPAIGN AGAINST CHAOS | 6/21/1968 | See Source »

...said the Montreal Star, adding: "The fact remains that in Harlem and Watts and every other Negro community . . . 'they' [assassins] exist as perpetual enemies, while the one figure who might have provided hope was removed forcibly from the arena." Perhaps the farthest reach came from Italian Author Raoul Romoli-Venturi (Encounter with Democracy). "Unfortunately," he said, "all the tensions of the world have been imported by the United States...

Author: /time Magazine | Title: Opinion: Caricature of the U.S. | 6/14/1968 | See Source »

Very well known artists are not the only ones on display. Two abstract works by the Russian Serge Poliakoff, big blocks of carefully modelled color, can be seen on entering the exhibit, near a very subtle work in cement--"In the Shadow of a Field"--by ex-conservationist Raoul Ubac, while the plastic, organic cubism of an early Picabia is across the hall...

Author: By Betsy Nadas, | Title: Painting in France 1900-1967 | 6/10/1968 | See Source »

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