Word: raphael
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Apart from the Venezuelan artist Jesus-Raphael Soto, only one of the painters on whom the Op label was stuck ten years ago seems to have really developed, continuing to produce work of the utmost seriousness. She is an Englishwoman named Bridget Riley, whose first New York show in seven years opened last week at the Sidney Janis Gallery...
...Urbino to visit the site of the worst art theft since World War II. Between midnight and 2 in the morning of Feb. 6, three paintings had been taken from Urbino's 15th century Ducal Palace. One was a portrait of an unknown noblewoman, nicknamed The Mute, by Raphael. The other two were by Piero della Francesca: The Flagellation and the Madonna of Senigallia...
Loss and Lobotomy. It was news to lock any art lover's spine with outrage. Raphael and Piero? Ever since Piero della Francesca was "resurrected" in the late 19th century, he has been to many people the epitome of 15th century thought: the great artificer of volume and silvery space, the very essence of the relationship between mathematics and nature in which the quattrocento's self-image was rooted. No Renaissance painter has spoken more eloquently to the 20th century than Piero, with his vision of a sublimely abstract order dwelling in a thicket of concrete and manifest...
...Masaccio's Madonna with Child and Memling's Portrait of a Gentleman from Palazzo Vecchio in Florence. "The thieves found that even after two or three years they couldn't sell them, and we were able to recover them." He hopes that the fame of the Raphael and the Pieros will likewise result in their recovery. "The thieves couldn't sell that Raphael if they waited ten or 100 years...
...Vuillard, a Van Gogh, a Gauguin, a Millet and a brace of Corots. The thieves, said Director Mercedes Garberi, "displayed a very refined taste." Giovanni Spadolini, Italy's Minister of the Cultural Patrimony, was already in shock from the theft of two Piero della Francescas and a Raphael from Urbino twelve days before. Said he: "This theft sounds an ultimate alarm against the state of neglect and abandon in which both the national and local museums of this country find themselves...