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Word: raphaelism (lookup in dictionary) (lookup stats)
Dates: during 1880-1889
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Usage:

...elevens were composed as follows: Harvard-rushers, Cumnock, Upton, Camphell, (Stickney), Tilton, (centre), Cranston, Newell, Hutchinson, (Crosby); quarter back, Dean; half-backs, Lee, Bowman; full-back, Trafford. Stevens Institute-rushers, Griswold, Wilderman, McKenzie, Hall, (centre), Emmet, Wreaks. Phelps; quarter-back, DeHart, half-backs, P. McKenzie and Raphael; full-back, Strong...

Author: NO WRITER ATTRIBUTED | Title: Harvard, 28; Stevens' Institute 4. | 10/7/1889 | See Source »

Game was called at precisely 3.10 Stevens taking the ball and the west end of the field. Hall started with a rush of ten yards followed py short rushes by both P. McKenzie and Raphael. The ball was then passed to Strong, who started to rush but was finely tackled by Upton. First down. McKenzie then rushed but was quickly downed without gaining five yards. Raphael then tried to rusll but Cranston broke through the rush line and downed him. This made the third down. Strong then kicked but the ball was stopped, Stevens getting it. Then both backs made...

Author: NO WRITER ATTRIBUTED | Title: Harvard, 28; Stevens' Institute 4. | 10/7/1889 | See Source »

...tastes. Poverty is no friend to art. Hard times have exercised a profound influence on English and Continental art. All must be "pretty" and "cheerful." Riches are necessary to the artist. If he does not have them, he is crushed and forced to do inferior work. Michael Angelo, Raphael, Rubens, da Vinci, Holbein, if alive to-day would show that notoriety is attained now as it was at the periods in which they lived. The two artists who will be ranked as the great artists of this century are Meissonier and Adolf Mensel. Yet these two are essentially different...

Author: NO WRITER ATTRIBUTED | Title: Notoriety in Art. | 3/6/1886 | See Source »

...aesthetic?" murmured Miss Raphael, a languishing Vassar Soph...

Author: NO WRITER ATTRIBUTED | Title: SLIGHTLY THE WRONG MAN. | 10/14/1881 | See Source »

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