Word: raphaels
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Dates: during 1940-1949
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...soldiers, officers, the dead, the dying. Here is the young Stonewall Jackson, speaking in a high, piping voice. Here is Cavalry General Stuart, mortally wounded at Yellow Tavern, brought to Richmond to die in a city too poor and gloomy to pay him the proper last respects. Here is Raphael Semmes, dashing captain of the Alabama (which was sunk by the Kearsarge in one of the war's great naval fights), who for a few days raised Richmond's flagging spirits. Here is General Robert E. Lee, besieged by Southern belles who had been criticized for going...
...Holman Hunt all came to pose, or admire, or talk shop with the artist, and to take tea in the cozy atmosphere provided by his "spiritual wives" (other men's wives who mothered him). His famed Hope, Fata Morgana, and Una and the Red Cross Knight, were elegant, Raphael-like and beautiful enough to stick in the public's mind. The boy who went to work as a sculptor's apprentice when he was ten was given degrees at Oxford and Cambridge, and grandly declined a baronetcy. His cup was running over when, at 70, Watts really...
...true, it was the biggest news in the world. Anthropologist Raphael E. G. Armattoe, interviewed in Londonderry last week, said that Russia had developed, tested and could mass produce an atom bomb that "rendered the Anglo-American one almost obsolete." It was no bigger than a tennis ball, had a horizontal pulverization range of 53 miles and a vertical lift of more than 6.2 miles, generated a temperature "in the neighborhood of several million degrees centigrade...
...standing committee of the Faculty appointed by President Conant, the group includes the following members; C. Crane Brinton '19, professor of History; Raphael Demos, Alford Professor of Natural Religion, moral Philosophy, and Civil Polity; John M. Finley, Jr '25, Eliot Professor of Greek Literature, and Wilbur K. Jordan, president of Radcliffe...
...tempted with $4,000 in cash prizes-$800 more than Carnegie offers. The jury, imported from New York, included Juliana Force, doughty duenna of Manhattan's Whitney Museum of American Art, and two divergent painters of Manhattan life: Reginald Marsh, who paints it like a carnival barker, and Raphael Soyer, who paints it like a soft-hearted social worker. As happens with artist-dominated juries, the prizes at Chicago's Art Institute went to technically excellent paintings. Artists, who know about means, apparently care less about each others' ends...