Word: raphaels
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Dates: during 1970-1979
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...slowly narrowing. Foreigners last year invested a record $1 billion in buying and building businesses in the U.S., and this year the country seems to have been turned into a giant supermarket, with foreign buyers rushing in to buy corporations off the shelves. Notes Investment Banker Raphael W. Hodgson, vice president of Goldman, Sachs: "Last month there were seven tender offers for U.S. companies from England alone, and there is no reason why there will not be seven more this month...
...more is woman's happiest knowledge and her praise.") Collier's Eve is the durable and delicious heroine of the piece. In her innocence she mistakes Sin and Death for Love and Life, but Collier does not doubt her wisdom. She is snubbed by the Archangel Raphael, feels God is unfair to Adam and, wanting a child and the pulsing power of creation, escapes from a passive, vegetarian paradise into the flux of human history...
Getting back to innocence, or to primal crudity (for Dubuffet they are the same), without becoming a stylist is one of the 20th century's dreams. It presupposes a return to the origins of form, to the half-articulate, the instinctive: uncensored desire. Me Tarzan, you Raphael. Dubuffet's art speaks directly to anyone who wants to abolish the humanist past-that area of art that insists that man is the flower of the universe and can, by force and subtlety of intellect, control it. His images assert the opposite: a nude becomes a lump of hairy pink...
SUPERMAN, then, is the only character who is supposed to be a klutz, and he doesn't shine as much as he could with so much competition from the rest of the crew. But Raphael Cohen, in his dual role as the Man and particularly as mild-mannered reporter Clark Kent, is still a strong actor. Obviously, the two poses require completely opposite attitudes. Superman is the focal point of everybody's existence: Lois adores him, the populace sing his praises daily, while a jealous scientist and a columnist for The Daily Planet hate him and drive the plot with...
...across the footbridge across the Charles, the sun was setting with a few last rays lighting the green-covered walls and white spires of Cambridge. The cars rushed along on the highway with their headlights going and on the river a few last boats of crew raced. Monet and Raphael are right, I think, the world is beautiful...