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...century, and Shakespeare patterned numerous plays on Italian scenarios, but it took the Renaissance's archetypical gentleman, Castiglione, author of The Book of the Courtier, to import the pictorial arts to Britain. A diplomat to Henry VII, he brought as a gift a portrait of St. George by Raphael...

Author: /time Magazine | Title: Collections: Royal Patrimony | 1/1/1965 | See Source »

...auspices of such as Consul Smith, and the thousands of Englishmen who discovered Italy on the Grand Tour, the masters of Florence and Venice built the base of British taste. When the Royal Academy was founded in 1768 its president was Sir Joshua Reynolds, who canonized the images of Raphael and applied the Renaissance's grand manner to contemporary subject matter. In time, Gainsborough, Benjamin West, Turner and Constable became academicians. Royal patronage had bent the Italian Renaissance to its own visual empire, and the royal collection swelled with homegrown products. Before, Britain had only appreciated great painting...

Author: /time Magazine | Title: Collections: Royal Patrimony | 1/1/1965 | See Source »

British Coolth. An unusual number of op artists come from Latin America. One is a Venezuelan named Jésus Raphael Soto, 41, now working in Paris, who calls his work "vibrations" (left), though he states that he has never read a physics book. His colored aluminum bars, suspended from fine nylon threads in shadow boxes, sway in front of lined backgrounds and dematerialize. "See how the stiff bars become fluid and luminous," says Soto. Like conductors' batons summoning music from strings, they do assume a sonorous life...

Author: /time Magazine | Title: Art: OP ART: PICTURES THAT ATTACK THE EYE | 10/23/1964 | See Source »

...were "better dreamed," and Fancy Dan, an embittered ex-convict, take their knocks with less dignity. "A little love somewhere is better," counsels Saroyan; "too much hate melts the bones, makes me cry." His scandalized commentary serves passably as a vehicle for the dramatic skills of Hopson, Jerome Raphael, Lazaro Perez, and John Karlen, if it does little else...

Author: By Eugene E. Leach, | Title: Saroyan and Pinter | 10/21/1964 | See Source »

...rearranging, complicating, and at the same time exposing the flaws in their methods. He resembles the painter Caravaggio who worked at the tail end of the Renaissance when there was little more to say about Madonnas or Crucifixions; he substituted peasants with dirty feet for the idealized figures of Raphael...

Author: By Raymond A. Sokolov jr., | Title: Euripedes' Electra | 8/4/1964 | See Source »

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