Word: raphaels
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...Leopoldstrasse. There are plenty of alternative diversions. Munich's many art galleries include the famed Alte Pinakothek, with its splendid collections of DÜrer, Rembrandt, Raphael, Titian and Rubens. Munich claims to be the birthplace of modern art, and indeed its Blaue Reiter group pioneered in the abstract movement; Munich's galleries today are loaded with the works of Kandinsky and Klee. Schwabing, the city's bohemian quarter, which won its reputation thanks to Kandinsky & Co., is still an art center, with more than 2,000 painters and sculptors at work...
Getty kept the painting, uncleaned, in storage for a quarter-century until a year ago, when a restorer at London's Thomas Agnew & Sons began to remove the scummy varnish. Was it Raphael's famous Madonna di Loreto of around 1510, known through more than 30 existing copies and through art-history references? X-ray and infra-red photography at London's Courtauld Institute probed its veil of oils, and now the best experts that Agnew can find say cautiously that the work seems to be an authentic Raphael. "The lightning strikes," said Getty. But, he adds...
...Raphael may be more than ever a name that sets collectors and the art market aquiver, but to a group of British painters who worked a century ago, his work and life span (1483-1520) marked the point where art went wrong. They longed for the "faithfulness" to nature of the Italians who preceded him, and joined together in a Pre-Raphaelite Brotherhood...
This bit of bravado did not seriously damage Raphael's reputation, and the Pre-Raphaelites themselves grew to seem the epitome of Victorianism, sweet as treacle and finicky as a lace antimacassar. Too pretty, too pious and too much concerned with the past, read the 20th century's indictment. Pre-Raphaelite prices sank so low that in 1955, one work, Ford Madox...
...honest-to-God artisanship seemed to have ceased with the end of the Middle Ages when painter and stonemason worked side by side. During the Renaissance, they thought, art had bogged down in formulas, divorced from the community of man, and had become the terrain of academicians for whom Raphael was the exemplar. True sentiment, whether religious or secular, had vanished from art in the eyes of the Pre-Raphaelites, so they turned to a literary, historic past that supplied them with heartfelt admiration for purity and chivalry. Established themes from Shakespeare, the Bible and the Arthurian legends furnished ready...