Word: raphaels
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Include: Dr. Carl A.L. Binger, in Psychiatry to the Universities Health Services, and Mrs. Binger; Brinton, McLean Professor of and Modern History, and Mrs. ; Raphael Demos, Alford Professor of Natural Religion, Moral Philosophy, Civil Polity, and Mrs. Demos; and Courtlandt Elliott, lecturer on classics, and Mr. Elliott...
...youth was none too lighthearted: a series of nights during World War I from his native Austria to Budapest and finally to the U.S. in 1921, when he was 17. At one time he was a bus boy in Atlantic City; at another, he and his close friend, Painter Raphael Soyer, enrolled in a class to learn machine embroidery. When Gross got married, friends had to help out. "Someone bought me a ring; someone else provided the wedding supper, and a third bought the marriage license." All the while he studied art, but before 1935, the year...
...least a hint of image-some sand dunes by Karl Knaths ("Naturally, we all knew about dunes anyway, but we didn't know about these dunes"), a Pietà by Abraham Rattner "that compares with the last sculptures on that theme by Michelangelo." a standing nude by Raphael Soyer ("We see freshly the tired flesh, the dull face, the patient, loving application of paint"). Concludes Getlein: "You find that the only reasonable answer to 'What's new?' is given by the older painters, those who are still painting for vision, for representation, for organization, for almost...
...traffic-free calm and beauty during the Christmas rush. Illuminated color transparencies of 25 Renaissance masterpieces in full size tell the Christmas story with remarkable fidelity. There are reproductions of paintings and frescoes by such masters as El Greco, Botticelli, Van Eyck, Gozzoli, Giorgione and Bellini. Among them is Raphael's Alba Madonna, shown here. TIME readers may remember seeing it in color in our Nov. 24 issue, for when Andrew Mellon paid the Russians $1,166,400 for it back in 1931, it was the largest sum ever paid for a painting until Rembrandt's Aristotle...
...admiration and envy. Sir Kenneth Clark was charmed, and so was Critic Alfred Frankfurter, editor of Art News. "She would ask me hundreds of questions," says Frankfurter, "about why certain artists were important in their time. She wondered why Perugino was not considered to be as good as Raphael." Though she was eager for advice, she had wisdom of her own. Among her purchases was Perugino's St. Augustine with Members of the Fraternity of Perugia. "It was a sophisticated choice," says Frankfurter. "It is one of the greatest pre-Raphael paintings...