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...believer in astrology (a pagan holdover), yet pious too. The meaning of the decorations he ordered for his burial chapel in Rome's Church of Santa Maria del Popolo is obviously that the lives of men are subject to the planets, which are in turn subject to God. Raphael, who painted the pagan divinity Galatea for Chigi's palace, also made the Vatican shine with Christian and pagan subjects, depicting the company of the saints and a synod of ancient sages opposite one another, making companion pictures of the fall of Adam and Eve and the flaying...

Author: /time Magazine | Title: Art: The Deathless Ones | 8/29/1955 | See Source »

...Raphael is too sweetly radiant for modern taste, which prefers the mystery of Leonardo or the power of Michelangelo. But he, more than either of them, blends pagan joy in life with the loving-kindness of Christianity. Through Raphael's genius the old gods were reborn into a gentler, better world than the classical-an achievement that marked the apogee of Renaissance...

Author: /time Magazine | Title: Art: The Deathless Ones | 8/29/1955 | See Source »

...public has been going on for centuries. Rembrandt's compassionate paintings of events in the Bible were called rotten, and they sold not at all. Children, incited by their elders, mocked Van Gogh in the streets of Arles. True, many of the world's best painters, from Raphael to Renoir, were ardently embraced by the public even before they died. There have been periods of peace; yet the war continues. This spring it is kicking up a lot of dust. Among the latest skirmishes...

Author: /time Magazine | Title: Art: Battlefronts | 6/20/1955 | See Source »

Manet's Lunch on the Grass [May 9] and his arrangement of the three figures is even more classical than he probably ever suspected. Raimondi's or Raphael's Judgment of Paris is lifted directly from a Roman late 2nd century A.D. sarcophagus or coffin relief of similar subject, which since the late 16th century has been walled up in a prominent place on the garden facade of the Villa Medici in Rome. This sarcophagus relief influenced the work of other artists who saw it before or after its arrival in that garden still much frequented...

Author: /time Magazine | Title: Letters, may 30, 1955 | 5/30/1955 | See Source »

Back in his studio, he had the additional thought of disposing his figures on the grass like those in the lower right-hand corner of Raphael's lost Judgment of Paris, which he knew from Raimondi's engraved copy (above...

Author: /time Magazine | Title: Art: Some Lunch | 5/9/1955 | See Source »

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