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Giulio Romano was so well known in his time that he is the only painter mentioned in any of Shakespeare's plays. Famous, and rather vulgar. If Raphael was the epitome of grace among artists of the High Renaissance and Michelangelo the paragon of sublimity, then Giulio was all licentious facility. So ran the judgment of our Victorian forebears, who could not quite forgive Raphael's best pupil for his indelicacy. An air of brilliant second- rateness still clings to his name. Those who can thrust their way through the crowds in Palazzo Te in Mantua and manage a long...

Author: /time Magazine | Title: Art: Between The Sistine, And Disney | 11/6/1989 | See Source »

...where to advertise for potential birth mothers. Pictures of perplexed young women appear in ads on buses and in buildings throughout Illinois. Sample copy: "Pregnant? Scared? Are you ready to be a single parent?" For those who are not, the ad refers clients to lawyer Lawrence Raphael ("He Cares") and even provides a toll-free number...

Author: /time Magazine | Title: Adoption: The Baby Chase | 10/9/1989 | See Source »

BENJAMIN WEST: AMERICAN PAINTER AT THE ENGLISH COURT, Baltimore Museum of Art. Period pieces today, these 52 canvases show what made "the American Raphael" (1738-1820) the toast of London and the first American artist to achieve international renown. Through...

Author: /time Magazine | Title: Critics' Choice: Aug. 14, 1989 | 8/14/1989 | See Source »

...adored by a long line of connoisseurs and tourists who held him to have been angelically inspired, the greatest painter of his age: as famous in his own way as Michelangelo, Leonardo, Van Gogh or Picasso. Percy Bysshe Shelley thought that if some cataclysm destroyed Rome, the loss of Raphael and Guido Reni would "be alone regretted...

Author: /time Magazine | Title: Art: The Partial Comeback of A Fallen Angel | 5/8/1989 | See Source »

Still, an artist deserves to be judged on his best work, and the idea that Reni was just a painter of saccharine devotional figures does not stand up. He will never get back on the pedestal he occupied in the 17th and 18th centuries, alongside Raphael. But there was a distinct grandeur in Reni, which his sometimes irksome professional smoothness served, and it is still perceptible today...

Author: /time Magazine | Title: Art: The Partial Comeback of A Fallen Angel | 5/8/1989 | See Source »

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