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When the local authorities hand Alan (played by Andrew Sullivan) over to Dysart (Chad Raphael) the doctor expects only the "usual unusual". And indeed, at first glance, the facts of the boy's life appear mundane. Sifting through his personal history, Dysart learns that Alan's mother, a religous woman, used to read the Bible to him before he went to bed. The fixation with horses ostensibly stems from an incident on the beach when Alan was six years old: a man on a horse let him ride the animal for a while, an experience he later describes to Dysart...

Author: By William S. Benjamin, | Title: Haunted by the Horse God | 11/15/1984 | See Source »

...ONLY here, on the role of Martin Dysart, that the Leverett House production stumbles. Chad Raphael's performance begins at a high pitch, revealing Dysart's inner conflict early and thus leaving little room for its development. But this approach eliminates the dramatic tension inherent in the script. Ideally, what should appear at first as Dysart's doubts about the usefulness of psychiatry should only later evolve into a professional and personal crisis...

Author: By William S. Benjamin, | Title: Haunted by the Horse God | 11/15/1984 | See Source »

...Clifton Raphael...

Author: /time Magazine | Title: Letters: Oct. 29, 1984 | 10/29/1984 | See Source »

Sullivan defended the huge write-off as a "onetime event" to cleanse its books, and there was little evidence that the bank's losses would continue. Said New York City Analyst Raphael Soifer, a member of the Brown Brothers Harriman banking firm: "There is no reason for panic. First Chicago has a problem, but it's solvable." Still, investors and depositors could not help being startled. Experts had assumed that the economic recovery would already have eased the problem of bad loans. But First Chicago's setback from lending in energy and agriculture demonstrates that some industries...

Author: /time Magazine | Title: Another Jolt from the Bankers | 10/15/1984 | See Source »

...thing to draw Polynesian temples or the megaliths of Easter Island, as the Georgian William Hodges or Sydney Parkinson did, and quite another to imitate primitive styles as though their artists were as worthy of homage as Raphael or Ingres, which modernism did. The transition from one to another began with Paul Gauguin...

Author: /time Magazine | Title: Art: Return of the Native | 10/15/1984 | See Source »

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