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...Shams an Israeli sergeant had trouble getting the flag down off the pole. Under the gaze of Northern Command General Raphael ("Ra-ful") Eitan he shimmied up to the top of the mast while the armor, paratroop and infantry formation stood at attention, fixed the tangled halyard, and then, to the roll of a drum, brought down the Star of David. Murmured an Israeli liaison officer, "Seems we can put up flags faster than we can take them down." During the brief withdrawal ceremony, Eitan addressed the men. "This hill is a symbol both for us and for the Syrians...

Author: /time Magazine | Title: MIDDLE EAST: Israeli Exit | 7/1/1974 | See Source »

...exquisite 16th century Villa Madama, overlooking Rome from atop the bluff of Monte Mario, is normally an Italian government guest house for visiting heads of state. Originally, the formal gardens, fountains and frescoed ceilings of the villa, designed by Raphael for Pope Clement VII, provided the setting in which the Medici Pope wheedled, wheeled and dealed. Last week, that atmosphere temporarily returned. Caught in a political crisis and under orders from President Giovanni Leone to resolve it rather than resign, representatives of the parties in Premier Mariano Rumor's ruling center-left coalition gathered in the Villa Madama...

Author: /time Magazine | Title: ITALY: The Not-So Dolce Vita | 7/1/1974 | See Source »

...currents of society which can warm or chill in their natural course. When James' people talk about being invited to a salon or about being cut off, they are employing the author's own intricate metaphor-performing a ritual of crucial selection. Bogdanovich and his screenwriter, Frederic Raphael (Darling), have swept out all the undertone from Jamesian society, trying instead to make high drama out of mere social graces. It is a little like trying to wring a sonnet out of a bill of fare...

Author: /time Magazine | Title: Cinema: Culture Shock | 6/3/1974 | See Source »

Screenplay by FREDERIC RAPHAEL...

Author: /time Magazine | Title: Cinema: Culture Shock | 6/3/1974 | See Source »

...know," he asked, "that the Mona Lisa hung in the bathrooms of Francois I, Louis XIV and Napoleon?* Francois I, well, that was normal because he bought it from Leonardo. It was not so logical in the case of Louis XIV, because in his reign the great painter was Raphael. And in Napoleon's day, Leonardo was thought of as a second-rate painter...

Author: /time Magazine | Title: The World: Malraux: The End of a Civilization | 4/8/1974 | See Source »

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