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Word: rapped (lookup in dictionary) (lookup stats)
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...lecture made no reference to the relationship between rap music and women...

Author: By Lauren M. Jiggetts, CRIMSON STAFF WRITER | Title: Group Evaluates Impact of Hip-Hop on Women | 10/19/2001 | See Source »

...reflects the way people really talk. "We use a lot of Cantonese street slang in our songs. Canto-pop love songs use written Chinese," says Yan, sliding his hand through the horse's tail of hair that he sometimes wears in his two long signature braids: "We created Canto-rap...

Author: /time Magazine | Title: Hip-Hop Goes Canto | 10/15/2001 | See Source »

...M.C.s (the guys with the microphones) -- Kit, Yan, Phat and Wah -- rap about fat girls, absent fathers, uncool triad gangsters, smoking dope and creating an authentic, home-grown pop culture. "So many kids in Hong Kong try to imitate the Japanese," says Yan, sitting in the LMF band room, meticulously rolling a Rizla cigarette paper around a line of weed. "It's not about nationalism or anything," he insists, "but no one should want to be a fake Japanese person." The group rarely uses English in their songs and resent accusations that they're just copying American hip-hop fashions...

Author: /time Magazine | Title: Hip-Hop Goes Canto | 10/15/2001 | See Source »

...band members are a loose group of a dozen musicians mostly from early-'90s Hong Kong rock bands N.T., Mai Tai, Screw and Anodize. They started jamming 10 years ago, and in 1999 put together a rap album with live guitars and drums. To do so, they turned bass player Jimmy's apartment -- which had earlier doubled as the Anodize band HQ -- into a recording studio that has since produced four LMF albums, plus solo albums by band members DJ Tommy, who spins and scratches hip-hop beats onstage, and guitarist and producer Davy Chan. The band's songs...

Author: /time Magazine | Title: Hip-Hop Goes Canto | 10/15/2001 | See Source »

...Summer days and summer nights are gone / I know a place where there’s still something going on.” Listening to the new Bob Dylan album after being subject to barrages of hip, carefully-controversial rap, or slick discs on which the artist has about as much to do with the sound as the cover photographer is a bit like walking from a high-powered cocktail reception into a raucous Irish pub. Suddenly the place is full of smoke, foot stamping music and competing voices in various states of unpredictability, love proclamations and self-declamation. Flipping...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Music for the Night of and the Morning After | 10/12/2001 | See Source »

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