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...most modern music. "The radio makes hideous sounds," he says. He thinks Beck, the folk/rock/hip-hop singer-songwriter who is often compared with him, should focus: "You just can't be that good at everything you touch." He hasn't really listened to Eminem's work--when it comes to rap, he prefers the Roots--but he says, "I almost feel like if anything is controversial, the guy's gotta be doing something right." Among the few contemporary acts that excite him is jazz singer Cassandra Wilson. "She is one of my favorite singers today," says Dylan. "I heard her version...

Author: /time Magazine | Title: Legend Of Dylan | 9/17/2001 | See Source »

...potty-mouthed lyrics didn't keep Slipknot's eponymous major-label debut from going platinum. In addition to courting publicity by defecating onstage and engaging in mild acts of violence with concertgoers, Slipknot has catered to rap-metal fans by mixing turntables and a sampler into its burlesque of drums and distorted guitar. Cannier still is the band's use of costumes at a time when metal is dominated by average dudes in sweatshirts. The band's macabre looks, like its hyperbolic lyrics, suggest the teenage alienation it sings about is a horror on par with the evils depicted...

Author: /time Magazine | Title: Music: Knot Amused | 9/17/2001 | See Source »

...also about politics. What's most surprising about U2's comeback is that the band hasn't toned down its idealism to fit today's junk-rock, glam-rap times. In fact, the performers have amped it up. During the North American leg of the Elevation tour, the band showed footage of Charlton Heston defending his views on firearms followed by stark footage of a small child playing with a gun and violent scenes from Vietnam as a sarcastic introduction to the song Bullet the Blue Sky. The new album, All That You Can't Leave Behind, takes its title...

Author: /time Magazine | Title: Bono And U2: Can Rock 'N' Roll Save The World? | 9/15/2001 | See Source »

...Distance, is selling just as fast. While other Japanese pop divas are content to sing throwaway tunes in baby-girl tones, Hikaru, who says that growing up she used to go to sleep to Metallica and wake up to Pearl Jam, performs songs that draw from R. and B., rap and even rock. During a recent MTV Unplugged concert, she surprised fans with a rendition of the Irish rock band U2's song With or Without You. Except for such occasional covers, Hikaru writes almost all her own material, combining light melodies and strong grooves. Her lyrics, though mostly about...

Author: /time Magazine | Title: Diva On Campus | 9/15/2001 | See Source »

...music industry is ruled by stereotypes: whites rock, blacks rap and croon soul, and few dare to cross the color line. There are hardly any Asian pop acts of prominence in the U.S. (no wonder some see Hikaru as mysterious). Hikaru is mounting a challenge to the status quo. On Blow My Whistle, her voice is more resonant than on her Japanese-language songs, and the track boasts beats that are more forceful. She leaves no doubt: she's got Mary J. Blige, 125th Street-type soul. There's another twist. The credits bill her as "Hikaru Utada"--using...

Author: /time Magazine | Title: Diva On Campus | 9/15/2001 | See Source »

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