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Stevie Wonder had a vision. In a music-industry first, the video for So What the Fuss, the single from the blind balladeer's album due next month, is enhanced with narration for the visually impaired. As Wonder performs the song onscreen, raspy rapper Busta Rhymes describes the visuals: "Stevie's playing a pearl-white drum set ..." he tells listeners. Calling the project a "breakthrough," Wonder says he's enlisting other artists to add descriptive narration to their videos as well. Before it catches on, we'd like to warn the visually impaired: Christina Aguilera sounds a lot better when...

Author: /time Magazine | Title: The Wonder Of Narration | 5/15/2005 | See Source »

...short for Most Definitely, which apparently he used to say so much that it became his nickname; his real name is Dante Smith. At 31, Mos is one of the few (only?) rapper-actors who is actually good at both. As a musician, he has a reputation for being progressive and socially conscious, a post-bling antidote to hip-hop's rampant gangsterism. His latest solo album, The New Danger, came out in October, and it's an example of how Mos's iron commitment to his idiosyncratic sensibility can get in his way. It features his laid-back, verbally...

Author: /time Magazine | Title: The Inevitability of Def | 5/12/2005 | See Source »

...afterward inevitably falling prey to crude underlying cultural assumptions and models, both about poetry and rap. Aesop acknowledges that “some people like my shit, some don’t,” but refuses to get sucked into marketing himself as an “intellectual rapper...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Aesop Rock, King Poetic? | 5/5/2005 | See Source »

...Karlin. Now in its ninth year, The Children’s Theater delights its young audience with modern adaptations of classic tales. Past shows include the 2003 production of “The Princess and the Pea,” also written by Kline, which introduced Pea-Ditty, a rapper-servant who found himself under the princess’s mattress in place of the vegetable...

Author: By Madeleine J. Baverstam, CONTRIBUTING WRITER | Title: Once upon a time, on a Harvard Stage... | 5/5/2005 | See Source »

...afterward inevitably falling prey to crude underlying cultural assumptions and models, both about poetry and rap. Aesop acknowledges that “some people like my shit, some don’t,” but refuses to get sucked into marketing himself as an “intellectual rapper...

Author: By Will B. Payne, | Title: Aesop Rock, King Poetic? | 5/4/2005 | See Source »

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