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...idea of the exotic, as well as to a modern conception of "the other." In the middle of the scenery sits an imposing but unidentified concrete structure. The magician Prospero is dressed not like a sorcerer but instead as an African medicine man. And the music incorporates elements of rap and opera. "Ultimately," says Daniels, "I want to see how one comes to understand the experience of 'the other.'" He does this in part by setting Prospero's experience in such an unfamiliar environment...

Author: By Hsuan L. Hsu, | Title: Tradition, Fantasy Blend in 'Tempest' | 12/7/1995 | See Source »

...UNTIL NOW, THE TARGETS OF BILL (THE BOOK OF Virtues) Bennett's crusades have at least been plausible sources of evil. But the latest victim of his wrath--TV talk shows of the Sally Jessy Raphael variety--are in a whole different category from drugs and gangsta rap. As anyone who actually watches them knows, the talk shows are one of the most excruciatingly moralistic forums the culture has to offer. Disturbing and sometimes disgusting, yes, but their very business is to preach the middle-class virtues of responsibility, reason and self-control...

Author: /time Magazine | Title: IN DEFENSE OF TALK SHOWS | 12/4/1995 | See Source »

There is much to admire in director George C. Wolfe's eclectic production, which draws on Kabuki, Balinese puppet theater, rap, jazzy percussion. This is a big, bold, colorful spectacle--a boiling sea of sights and sounds. But something is radically--fatally--wrong with any production in which lines like Miranda's "Oh brave new world/ That has such people in't!" or Antonio's "Say this were death that now hath seized them" are laugh getters...

Author: /time Magazine | Title: THEATER: THEY BLEW IT | 11/20/1995 | See Source »

SNOOP DOGGY DOGG Rapper may beat rap as judge tosses evidence in murder trial LOSERS...

Author: /time Magazine | Title: Winners & Losers: Nov. 13, 1995 | 11/13/1995 | See Source »

...white teenagers who listen to songs like "Detachable Penis" and music by artists like Ozzy Osborne and Courtney Love suffering from the same syndrome as African-American youths? How can Star argue that nihilism or "listening to gangster rap" is the major factor promoting African-American under-development in the face of evidence that demonstrates that a culture just as, if not more perverse, continually produces economic winners. In short, to blame African-American nihilism for under-developed material conditions in the "inner-cities" fails to recognize the relative material success of those who created mainstream nihilistic culture...

Author: NO WRITER ATTRIBUTED | Title: Star's Argument Is Ridiculous | 11/7/1995 | See Source »

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