Word: rapport
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Dates: during 1970-1979
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Presley wanted to meet FBI Director J. Edgar Hoover, who loathed long-haired types. "Presley stated," the memo went on, "that his long hair and unusual apparel were merely tools of his trade and afforded him access to and rapport with many people." Jones wrote to his superiors, however, that "Presley's sincerity and good intentions notwithstanding, he is certainly not the type of individual whom the director would wish to meet." Hoover never did agree to see Presley. Instead, he wrote the singer a letter saying that he would "keep in mind your offer to be of assistance...
...West with a two-bit gambler named Baudray D'Emerillo (Peter Fonda). "I'm still playing the part of a girl who wants to be older, but this time there's none of that sex business involved," says Brooke. Even nicer, she has established a rapport with Co-Star Fonda, who also happens to be the director. "This is the first time I've worked with a director who is a good friend," says Brooke, adding with childlike logic: "Maybe it's because he's got children himself...
...quite. But the wonder boy had been riding long enough to develop that special link between man and mount. Says Cauthen: "I've got a good rapport with my horse. I know him well, and he knows me. He does everything right. He's by far the smartest horse I've ever been on. He's never burned out, and always has had something left. I knew from the start he would be a fine Derby prospect...
...Kahn, who often pads about his office in his socks, has an easy rapport with his top staff, which CAB critics agree is one of the sharpest in Washington. An outgoing man, Kahn has brought a new sense of style and unpredictability to the once stodgy agency. He has a passion for Gilbert and Sullivan, which he often indulged at Cornell by singing and prancing in student productions. His other obsession is clear English. Says he: "If you can't explain what you're doing in simple English, you are probably doing something wrong." He admits that...
...took over the 100-year-old Citizens' Theatre in 1969, and began immediately to construct a permanent company and an international reputation. "We're a state-subsidized theater in a large industrial city with very high unemployment, and yet for the last eight seasons we've had a marvelous rapport between the actors and the audience. There are 15 actors, all paid the same, all the same age--there's no attempt at having a juvenile, a leading man, an ingenue, or anything like that. All the plays we do have to fit that number; if there are 30 parts...