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...Revolution. Settling in Paris, he was enchanted by the "Blue Period" paintings of another alien, Picasso, 18 years older than Berman. By that time, restless "Papa" Picasso was gaining notoriety as a cubist; but Berman, along with his brother Léonid, and his friends Tchelitchew and Bérard, thought cubism something to keep clear of. Their idea was to go on from where Picasso's Blue Period left off-to paint, in a traditional way, the cracked shells of European civilization. They were the "Neo-Romantics...

Author: /time Magazine | Title: Art: The Happy Pessimist | 5/24/1948 | See Source »

...Idiot (French). A skeletal but sensitive reproduction of Dostoevsky's novel about a modern Christ. Memorable for the work of France's new idol Gérard Philippe, as Prince Myshkin, and of Edwige Feuill...

Author: /time Magazine | Title: Cinema: New Foreign Films | 3/1/1948 | See Source »

...bistro in Europe, the gaudiest symbol of the mauve decadence. Its décor was the most glittery, its women the most ravishing, its top-drawer scandals the most toothsome. No Manhattan nightclub captain was ever so suave or tactful as Maxim's famed, monocled Chasseur Gérard, who, with a handy grasp of the Almanach de Gotha unsurpassed by any dowager in Europe, discreetly arranged introductions between the world's great ones and Maxim's incomparable ladies of the evening...

Author: /time Magazine | Title: FRANCE: Maxim's Is Back | 10/7/1946 | See Source »

...homard à l'américaine, Cabinet careers were made and broken, and million-franc deals consummated. Maxim's ladies, the poules de luxe, often sat in lonely splendor until at long last a U.S. sugar king or Bolivian tin baron whispered in Gérard...

Author: /time Magazine | Title: FRANCE: Maxim's Is Back | 10/7/1946 | See Source »

...Couturier Jacques Fath, Cartoonist Roger Wild, Mlle. Constantinesco, Fred McEvoy, Mme. Audemars and a safari of minor movie officials, businessmen and actresses. Gallantly, the sprinkle of oldtimers and pleasure's eager neophytes strove to revive the tradition of flaunting frivolity. But something more was missing than Gérard, who had retired to a sumptuous château near Biarritz which he had bought with tips. The world had changed; even Paris had changed. And one must be so careful these days; Maxim's manager, uncertain of volatile Parisian reactions, had drawn tight the forbidding metal blinds...

Author: /time Magazine | Title: FRANCE: Maxim's Is Back | 10/7/1946 | See Source »

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