Word: rard
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...many athletes suffer a heavy psychological blow when forced to leave the athletic élite. "When you remove an athlete from that obsessive, glorified lifestyle and place him in the larger, more diffuse ?real world,' he's going to feel lost, anonymous and often severely depressed," says Gérard Cagni, director of the sedap drug clinic-one of two in France with in-patient programs tailored for athletes. When such a competitor also has a history of doping and drug use, the risk of addiction-and an unwillingness to recognize it as a severe problem-can complicate matters...
...make up 60% of his business, he says, but since the first case of "mad cow" disease was discovered in Italy last month, "no one even asks for it. Shoppers are terrorized." Meanwhile, at a bustling organic meat and vegetable market on Paris' Boulevard Raspail, greengrocer Gérard Courvaisier is all smiles. "Business is up 30% here. People suddenly see us as a refuge. The mad cow crisis has been a real shot in the arm for organic producers...
Revolutionaries fall into two main types: the romantic and the quasi-religious zealot. Danton, as envisioned by Wajda and Writer Jean-Claude Carrière (Buñuel's sometime collaborator) and brilliantly portrayed by Gérard Depardieu, is the former. Lazy, sensual and, above all, egocentric, he believes that he need do nothing but raise his famed orator's voice in order to bring the people to the counterrevolutionary barricades. Convinced of his own star qualities, he neglects to look back to see if anyone is actually following him or, despite warnings, to take practical steps...
...system, called the Vista, was developed by Scitex Corp. Ltd. of Herzlia, Israel, at the behest of TIME Operations Director Gérard Leliévre, and is the only such machine in the world. "We were seeking a kind of missing link between our computerized systems for processing copy and for preparing and transmitting completed pages," explains Leliévre. "Without electronic technology, the Art Department could have been left behind...
There were three one-man shows on the itinerary of most gallerygoers in New York City's SoHo area last month: Robert Longo, David Salle and Gérard Garouste. Taken together, they were fairly instructive. Here are three rising, though by no means certified, reputations; yet their success seems tinged with panic. They are all young (Longo is 30, Salle 31, and Garouste 37) and, of course, figurative - the pendulum of taste having now swung so far that it is practically impossible to have a rising reputation if you are a new abstract painter. Each...