Word: rashomon
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Dates: during 1960-1969
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...audience for Kurosawa films in the U.S. has been severely limited by the vagaries of film distribution. Although Rashomon became an art-house staple after it won an Academy Award in 1951, most of Kurosawa's other films have not found their way to many American screens. Red Beard, like Pierrot Le Fou first shown in 1965 but just released in New York, is being presented at a special foreign-language theater with only a whisper of publicity. Thus, filmgoers across the country may once again miss a masterpiece by one of the world's great film makers...
...most important in Japan. They agreed to act the roles of wartime admirals and diplomats in the movie, to be released worldwide by 20th Century-Fox about a year from now. But why put businessmen in those parts? For a very practical reason, says Director Akira Kurosawa (Rashomon, Seven Samurai), who is handling the Japanese portion of the co-production with U.S. moviemakers: there were few if any professional actors available who looked and acted like the nail-hard World War II militarists of Japan. Then Kurosawa figured that running the Imperial Japanese war machine was not so different from...
...most successful modern users of the camera as an aid to painting are the U.S.'s Howard Kanovitz and Britain's Malcolm Morley, both of whom use photography as a way to probe that old Platonic question. Says Kanovitz: "Certainly the film Rashomon and, more recently, the Warren Commission report illustrate how impossible it is to 'tell it the way it really is.' " Adds Morley: "Realism hasn't even been dealt with in the 20th century. The Ashcan School were all preachers, and pop artists are busy trying to make their painting abstract...
...original Marty on television, then scored in films as Marlon Brando's brother in On the Waterfront, for which he received his first Oscar nomination. Kept continually busy in movies, Steiger rarely has time for stage work. His longest run on Broadway was in the 1959 hit Rashomon; after the play closed, he married his costar, Claire Bloom. Between assignments, the Steigers live in an ar-tique-littered Manhattan apartment, where he dabbles in Sunday painting and writes occasional verse, none published...
...course of these films, the relationship becomes a personal one. Mifune's amoral force is made either evil or good by the intentions of those whom he joins. In Rashomon, the intrusion of the bandit's passion challenges a stable marriage, casts doubt on each witness's version of the rape scene, and brings about death and disgrace. In Seven Samurai, the outsider joins the mission of the samurai in spite of their rejection of him, and becomes their sustaining force as they fight on behalf of the farmers...