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...Rashomon. A curious, powerful Japanese film built on four conflicting versions of an ancient crime of violence (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Jan. 21, 1952 | 1/21/1952 | See Source »

...Rashomon. A curious, powerful Japanese film built on four conflicting versions of an ancient crime of violence (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Jan. 14, 1952 | 1/14/1952 | See Source »

...strange film even by the standards of Japan (where it drew only enough business to meet its cost of $140,000), Rashomon opens in a ruined 8th century temple, where a woodcutter and a Buddhist priest, taking shelter from a lashing rain, ponder a bewildering crime that has shaken their faith in men. As they recount the crime to a cynical passerby, flashbacks picture the testimony at the trial and four differing re-enactments of the violent incident itself...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 7, 1952 | 1/7/1952 | See Source »

Brilliantly acted, Rashomon bulges with barbaric force. The bandit (Toshiro Mifune) is an unforgettable animal figure, grunting, sweating, swatting at flies that constantly light on his half-naked body, exploding in hyena-like laughter of scorn and triumph. But, more than a violent story, the film is a harsh study of universal drives stripped down to the core: lust, fear, selfishness, pride, hatred, vanity, cruelty. The woodcutter's version of the crime lays bare the meanness of man with Swiftian bitterness and contempt...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 7, 1952 | 1/7/1952 | See Source »

...Rashomon has other failings. Its slow pace is deliberate and consistent enough to be accepted as a matter of style, presumably designed to the Japanese taste, yet U.S. moviegoers are likely to find much of it draggy. One long sequence is spoiled by a musical score that borrows freely from Ravel's Bolero, and Director Kurosawa, though obviously gifted, sometimes becomes self-consciously infatuated with the look of his own images. For all that, Rashomon is a novel, stimulating moviegoing experience, and a sure sign that U.S. film importers will be looking hard at Japanese pictures from...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 7, 1952 | 1/7/1952 | See Source »

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