Word: rashomon
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...thing with Kerrey is whether there was incoming fire. Was there or not? That's a Rashomon story. The only mitigating factor is that all villagers were suspect in war zones. We were fighting an enemy army, but we were also fighting villagers. These things don't take place in slow motion. I know Kerrey, and I think he's an upstanding citizen. It would be hard for me to accept that he cold-bloodedly killed villagers. He was a lieutenant on one of his first combat missions. There could have been an element of panic. If it went...
...half-century now, since Kurosawa's Rashomon triumphed at the Venice Film Festival and introduced Western audiences to the radiance of his country's film tradition, stories about the Japanese have mostly been told by the Japanese. With so much of the genuine article on tap, viewers have no need to get an image of Japan from Americans with a message or a grudge. And if the glory days of the nation's art film are gone, the export industry for filmed entertainment has never been more robust. Every kid cherishes Pokémon. Every lurker in specialized video stores...
...STRANGE JUSTICE (SHOWTIME) Historical TV movies must be staid. They must tie up loose ends. Above all, they must take no artistic risks. Showtime's Anita Hill-Clarence Thomas docudrama broke all those rules, telling the Rashomon tale that launched the he-said-she-said decade with arresting images and a stubborn refusal to take sides...
Akira Kurosawa, who died on Sept. 6, was one of the towering figures of world cinema. His work--31 movies made over 50 years--is one of the great treasures of film history. Kurosawa introduced Japanese cinema to the West in 1950 with Rashomon, a work of tremendous moral and cinematic force whose influence on Western filmmakers is immeasurable. This was the first in a series of masterpieces from Kurosawa in the '50s and '60s, one more startling than the other: Ikiru, The Seven Samurai, Throne of Blood, The Hidden Fortress, Yojimbo, High and Low; in his work, the CinemaScope...
DIED. AKIRA KUROSAWA, 88, cinematic visionary whose visceral and visually compelling films integrated Japanese culture into the global movie idiom and inspired a generation of Western directors; in Tokyo. Rashomon (1950), the tale of a murder seen four ways, first brought him fame outside Japan, its title now a byword for the fragility of truth. Even as his samurai epics like Throne of Blood (1957) and Ran (1985) borrowed from the West, particularly Shakespeare, movies outside Japan borrowed from him: The Seven Samurai is at the heart of The Magnificent Seven; The Hidden Fortress is concealed in Star Wars...