Word: rashomonics
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...does a good job outlining the causes of the massacre from each point of view, whether historical, cultural or geographical. In some cases, maybe too good a job: the litany of abuses attributed to the Apache by their attackers as justification for the massacre reads less like a Southwestern Rashomon and more like Murder on the Orient Express - every hand on the knife with its own, separate grievance. But even better is the way in which he paints a picture of the often intimate relationships and shifting loyalties between each group: a previously straightforward tale of atrocity becomes one shaded...
...roadside homicide. Five were brutally killed by a couple of maniacs in leatherface masks. Now the three shaken survivors are being questioned in a police station by two outside agents (Bill Pullman and Julia Ormond) who are skeptical of the variations in the stories they hear. Think Rashomon meets The Texas Chainsaw Massacre in Twin Peaks, and give lots of leeway for the gooniest improv overacting, and you may get on the warped wavelength of this semi-comic parable of social anarchy...
Shrek consciously rebelled against the sentimental Disney hegemony of fairy-tale movies. But today the outlaw is king: parodying fairy tales has become the default mode of telling them. 2005's Hoodwinked! reimagined Little Red Riding Hood as a crime Rashomon, while this year's Happily N'Ever After sent up Cinderella. Broadway smash Wicked posits that the Wicked Witch of the West was misunderstood. This fall Disney (et tu, Mickey?) releases Enchanted, in which a princess (Amy Adams) is magically banished by an evil queen to modern New York City, where she must fend for herself, parodying her princess...
...whole film school in a really big box. It comprises 52 films that Janus either originally released in theaters or picked up after their initial runs for distribution to repertory theaters, 16mm film programs and the more enlightened TV stations. The A list of foreign films is here: Rashomon and Pandora's Box, The 400 Blows and Viridiana, The Third Man and The Lady Vanishes-the basics of an educated person's film education...
...home town, where he reunites with his former lover and their now grown son. Bittersweet misery ensues. In 1959, when Ozu's reserved style was fully formed, he remade the story as two-hour color film photographed by the great Kazuo Miyagawa, the cinematographer of Kurosawa's Rashomon and Kenji Mizoguchi's Ugetsu. The audio commentary on the later film is by Roger Ebert. Donald Richie, the dean of American film scholars of Japanese film, provided the improved subtitles for both...