Word: rashomonics
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...status of cinema has largely been achieved by movies from abroad, by an array of vigorous and original creators who live and work in every quarter of the globe. At the heart of the new movement is a hardy little band of inspired pioneers: Japan's Akira Kurosawa (Rashomon); Sweden's Ingmar Bergman (Wild Strawberries); France's Alain Resnais (Hiroshima, Man Amour) and Francois Truffaut (The 400 Blows); Italy's Federico Fellini (La Dolce Vita), Michelangelo Antonioni (L'Avventura) and Luchino Visconti (Rocco and His Brothers); England's Tony Richardson (Look Back in Anger...
...Idiot and Sanjuro. These two films by Japan's Akira Kurosawa are not in a class with his Rashomon or Yojimbo. But Kurosawa's genius can make a miss almost as good as a masterpiece...
...Idiot and Sanjuro. These two films by Japan's Akira Kurosawa are not in a class with his Rashomon or Yojimbo. But Kurosawa's genius can make a miss almost as good as a masterpiece...
Akira Kurosawa is the Homer of the current cinema, and like Homer he some times nods. Yet in two pictures now showing in the U.S., the great Japanese director (Rashomon, Ikiru, Yojimbo) demonstrates that the energy of genius can make a miss almost as exciting...
Yojimbo. A Japanese movie that begins as a grisly and noisy parody of Hollywood westerns samurai-style, Yojimbo develops into a masterpiece of film making, and proves that Director Akira (Rashomon) Kurosawa is one of the world's greatest masters of satire...