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Word: rashomonics (lookup in dictionary) (lookup stats)
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...year when real-life courtroom drama became the stuff of TV entertainment, a Supreme Court nominee's droning confirmation process was suddenly transformed into a riveting version of Rashomon. On one side was the composed college professor charging sexual harassment; on the other the outraged judge crying racism; in the jury box, a gaggle of Senators fumbling. After this and the William Kennedy Smith rape trial, how can anybody watch L.A. Law again...

Author: /time Magazine | Title: Best of 1991 | 1/6/1992 | See Source »

Stone hired Sklar to work on the script, which was also based on Jim Marrs' study, Crossfire: The Plot That Killed Kennedy. He boiled Sklar's 550-page first draft down to 160 pages and interpolated extensive flashbacks, in the style of Rashomon and Z. By April 1991, when filming began, Stone, Sklar and co-producer A. Kitman Ho had interviewed more than 200 people...

Author: /time Magazine | Title: Oliver Stone: Who Killed J.F.K.? | 12/23/1991 | See Source »

...Dallas.' It's 'Perry Mason.' It's 'Rashomon.' With the Palm Beach party-land ambience, the Kennedy name and faces, the dramatic opening testimony of the woman known to television audiences as 'the alleged victim,' the trial of William K. Smith is proving to be a television spectacular...

Author: By Philip M. Rubin, | Title: Sham and Grist | 12/7/1991 | See Source »

Accordingly, Klinghoffer is no docudrama but rather a stylized, subtle, Rashomon-like retelling of the tragedy. It takes no prisoners, and takes no sides either. On Sellars' voyage, confusion is captain, and perspectives shift like ocean waves. Along with Leon Klinghoffer, truth becomes a casualty. The director has clad the entire cast in anonymous street clothes, and many roles are doubled -- now friend, now foe -- and who can tell the difference...

Author: /time Magazine | Title: Art And Terror in the Same Boat | 4/1/1991 | See Source »

...from time to time. Hardy, his wife Grace (Rebecca Clark), and his manager Teddy (Linus Gelber) recall his life, culminating in a disastrous return tour to Ireland. Each character gives his version of the events, with Hardy going first and last; like the famous Japanese short story and film Rashomon, their accounts do not quite measure up with each other. Playwright Brian Friel, who is undergoing an inexplicable vogue among the Harvard thespian set, handles the theme of religion as a divine con game with much less sophistication than Flannery O'Conner did in her novel Wise Blood...

Author: By Cyrus M. Sanai, | Title: Harvard Theater | 4/15/1987 | See Source »

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