Word: raskolnikov
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...main characters, Lili (Sonia), Rene Brunel (Raskolnikov), Nicole Brunel (Dounia) and Inspecteur Gallet (Porfiry), act their way through the famous intellectual-kills-pawnbroker-and-suffers plot with a considerable degree of accomplishment. Robert Hossein as Rene seems to suffer a bit too dramatically but this is probably in the novel and becomes grating only when it actually has to be seen on the screen. Marina Vlady is properly wistful and ineffectual as Lili, the embodiment of the beautiful soul who becomes a prostitute to feed the family which her stepfather has deserted, and Ulla Jacobssen is excellent in the less...
...woman was a moneylender, but Peter Fury's crime was different from that of Dostoevsky's Raskolnikov. He did not kill out of pride but from shame and pity. He had been marked for the priesthood by his mother, and her merciless determination to pay for his education had led him not to the altar, but to the loan shark's table. After getting out of prison, he finds that all the members of his family have died or been scattered. He lives on in a desolation of scene and spirit that the French, under the fashionable...
...religion, and hope itself are derided in the mad figures inhabiting the horse. One is a naked but derby-hatted fellow named Maloney the Areopagite, who is writing the life of Saint Puce, a flea that was born in Christ's armpit. Another is John Raskolnikov Gilson, an eighth-grade schoolboy who wants to sleep with Miss McGeeney, his English teacher. In order to make his views known ("How sick I am of literary bitches. But they're the only kind that'll have me"), the boy has written a pamphlet that sounds very like West...
...figure of Raskolnikov in Crime and Punishment has important philosophic implications. There are comparable conceptions of the Superman in other countries: in England, Marlowe's Faustus; in Germany, Nietzshe's Ubermensch; in America, "Superman Comics." With his pipe clenched slightly crooked through an ironic smile, Professor Renato Poggioli warmed to his subject. And if the mark of a brilliant teacher is his ability to remain popular while insulting, threatening, and deliberately patronizing his students, then Poggioli must certainly be brilliant...
Last week's stage version managed to bury not only the deeper half but the whole of Dostoevsky's novel-giving it, as the only compensation, a highly picturesque funeral. Actor Gielgud's Raskolnikov can be enjoyed as a brilliantly mannered performance, but as a portrait it is worthless. Ackland's stage piece itself is like a translation that inserts innumerable adjectives while omitting all the verbs; it substitutes atmosphere for action, and theatrical color for dramatic force. The stage set-a cross-section of Raskolnikov's swarming rooming house-is a fine device...