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...says Ortega. "Michael always protected that." Gaydos believes the movie is "review-proof." "What are they going to say - that the film is out of focus, that they don't like the music?" he asks. "I don't think anyone thinks it's going to be a cinematic masterpiece." Rather than a fear of bad reviews, he chalks up the lack of advance screenings to Sony's need to build anticipation. "You've got one chance at uncorking this bottle," Gaydos says. "This is great show biz." (See the top 10 Michael Jackson moments...

Author: /time Magazine | Title: Marketing This Is It: How Sony Created a Global Event | 10/27/2009 | See Source »

...Wild.” In fact, most feminists, including Ariel Levy, would concur that the pressure to conform to a sexual script is a problem that ought to be addressed not by restricting sex, but by removing stigmas surrounding sexual behavior, which includes abstinence, promiscuity, and everything in between. Rather than blaming feminism as the cause of rampant sexuality, Wagley ought to examine the profit agenda behind the rise of pornography, a point already made frequently in critical feminist literature...

Author: By Lena Chen | Title: The Abstinence Mystique | 10/27/2009 | See Source »

...hasn’t always been the most friendly, collaborative relationship,” said Marco Chan ’11, co-chair of QSA. “Working more closely and supporting each other goes to show that rather than harboring any divisions, we’re in this together...

Author: By Alice E. M. Underwood, CONTRIBUTING WRITER | Title: Queer Student Groups Seek Unity | 10/26/2009 | See Source »

...successful in uncovering unexplored depths of her character. Her performance as the king is the undoubted triumph of the production and lends some justification to the use of an all-female cast. Initially, she seems uncertain in the role; it is very apparent that she is a woman trying rather unsuccessfully to play a man. As the play progresses, it becomes evident that this characterization is deliberate: Kinsley’s struggles with masculinity mirror those of Richard’s with kingship. Eventually, Kinsley blossoms, becoming a fascinatingly deep character. Even as Richard loses his grip on his crown...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: All-Female Cast Attempts to Show Majesty of 'Richard II' | 10/26/2009 | See Source »

...Shakespeare’s original, Bolingbroke becomes a less assured character after becoming King Henry IV, but Federman’s mission to explore femininity in politics leaves Hecht with nowhere to progress. She can’t revert to femininity, because Henry simply becomes less confident rather than more womanly. This plot progression allows her no other option but to simply retreat into the background and let her personality fade, leaving Richard free to dominate the stage...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: All-Female Cast Attempts to Show Majesty of 'Richard II' | 10/26/2009 | See Source »

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