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When a single day's batch of mail includes a letter from one reader who tells us how much she "adores Joel Stein's celebrity interviews" and another from a reader who thinks Stein is "the nastiest, bitchiest, sleaziest little rat ever to scoot around the halls of TIME," you know you've got one provocative writer on your hands...

Author: /time Magazine | Title: Amy Musher's Mailbag | 11/16/1998 | See Source »

...Italian tenor) is overshadowed by the more provocative characters surrounding him. Herbert Breslin, Pavarotti's "motor-mouthed, bullet-headed, forever-tan egomaniac" publicist, adds a touch of much needed vulgarity to the usually cordial dialogue. For him, everything the press writes isn't worth "a thimble-full of rat's piss." Always mentioned in the same breath as the faltering Mr. P is the superhuman Placido Domingo (everyone's second favorite tenor.) Hoelterhoff describes Domingo's unfailing energy, which allows him to conduct a matinee performance of one opera, star as lead role in another opera that evening, then...

Author: By Chad B. Denton, CONTRIBUTING WRITER | Title: The Dirt on Divas | 11/6/1998 | See Source »

...American city has so successfully reinvented itself as many times as Las Vegas. The only constants in Las Vegas--from the dream of Bugsy Siegel to the haunt of the Rat Pack to a collection of theme hotels evoking other times and places--have been the gambling and the wisdom that it is no destination for the culturally inclined. The opening last week of Steve Wynn's $1.6 billion Bellagio hotel and casino, modeled after an Italian Riviera village, is the initial step in a plan to change that perception. Among the first to sample the Bellagio's attractions were...

Author: /time Magazine | Title: Contributors: Oct. 26, 1998 | 10/26/1998 | See Source »

Once again, the Mob's former desert stopover is on the remake. This joint once prospered as a venue for naughty, even dangerous diversion. Then in the 1980s, Las Vegas tried to go mainstream, transforming itself into a desert Disneyland--the Rat Pack gone to the rug rats. Up went casino hotels with exploding volcanoes, battling galleons and amusement parks. Alas, the folks who showed up with their kids had the audacity to spend time with them instead of gambling away the college funds. The casinos compounded their marketing error by offering cheap rooms and cheaper food...

Author: /time Magazine | Title: Las Vegas--Over The Top: In With The New | 10/26/1998 | See Source »

Duchamp, famous for the signed urinal and The Large Glass, and Joseph Cornell, not so famous for living with his mother in Queens, N.Y., and making densely intricate boxes of ephemera such as apothecary jars, photos, paper clippings and decorated wood cubes, formed a kind of pack-rat pack of two in the '40s after Duchamp enlisted Cornell to work on his portable museum, Boite-en-Valise. Cornell's collection of the trimmings--notes, receipts, old glue boxes--of their meetings forms the Duchamp Dossier and the centerpiece of this show. Neither a great Cornell nor a great Duchamp exhibition...

Author: /time Magazine | Title: Exhibitions: Joseph Cornell/Marcel Duchamp...In Resonance | 10/26/1998 | See Source »

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