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...transformation of a stick of wood in a box of matches, then spends the rest of its 70 minutes on the transformation of Iris (Kati Outinen), the stolid young woman on the assembly line, into a keg of emotional dynamite. Kaurismaki's almost-silent movie features a cast of rats -- mother, stepfather, brutal beau -- for whom rat poison may be the best antidote. And for U.S. viewers, Match Factory is a splendid introduction to a world-class (no joke) filmmaker, with a wit as dry as kindling...

Author: /time Magazine | Title: Short Takes: Jan. 18, 1993 | 1/18/1993 | See Source »

...course, there are those who live dangerously--they actually get close enough to feed these close relatives of the rat...

Author: By Geoffrey C. Hsu, CONTRIBUTING REPORTER | Title: Are Squirrels a First-Year's Friend? Or Are They Only Glorified Rats? | 12/12/1992 | See Source »

...majesty over subtlety and, often as not, finds what he's looking for. Magic-lantern images are everywhere: in the blood pouring from an altar crucifix; in the Castle Dracula chauffeur garbed as Darth Vader; in the endless supertrain of the count's cape; in the placental gel and rat's-nest cocoons that encase the vampire. But more: in the wonderfully spectral mood that does justice to the romance at Dracula's heart...

Author: /time Magazine | Title: A Vampire With Heart . . . | 11/23/1992 | See Source »

...movie is silliest when show-biz celebrities parade on and off the stage as if it were Impressionists Night at the Improv. Sinatra gets marital advice from Humphrey Bogart, rushes to Sammy Davis Jr.'s bedside after his car accident and cavorts with the Rat Pack in a steam room at the Sands Hotel. The scenes between Sinatra and the Kennedy family are the phoniest of all, but they do open up the touchy subject of Sinatra's mob links. During the 1960 presidential campaign, Joe Kennedy asks Sinatra for help with "our friends in Chicago who control the unions...

Author: /time Magazine | Title: Crooning To The Top | 11/16/1992 | See Source »

THIS IS A LOVE SONG, OF COURSE. Aladdin the street rat is taking Princess Jasmine on a flight into the liberating skyland of first love. But the Tim Rice lyric, riding the lush carpet of Alan Menken's melody, also defines the sorcery of movie animation. Artists wave the wand of a pencil over a piece of paper and, like the most genial genie, create unbelievable sights, indescribable feelings. "Don't you dare close your eyes!/ A hundred thousand things to see!/ Hold your breath, it gets better...

Author: /time Magazine | Title: Aladdin's Magic | 11/9/1992 | See Source »

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