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Word: rattner (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Miller's own watercolors are full of gabled doors, heavenly bodies (he believes in astrology), female sex symbols, eyes("I'm not perverse, but the idea of looking through a keyhole . . . fascinates me"), and echoes of Paul Klee and Abraham Rattner...

Author: /time Magazine | Title: Art: Landscapes into Fish | 4/14/1947 | See Source »

...carries an extensive stock of originals and prints and does considerable framing work. Their exhibition this month is the series of paintings of the "Temptation of Saint Anthony," which Mayor Curley recently condemned as offensive to religious persons. The show contains some interesting interpretations by such painters as Abraham Rattner, Salvador Dali, Ivan Albright, and Dorothea Tanning; but only Max Ernst's prize-winning canvas captures the terror brought to the theme by the Gothic Masters...

Author: By R. T. Browne, | Title: Collections and Critiques | 11/9/1946 | See Source »

...seemed as though the prize jury (a museum director, a critic, an artist) liked a little of everything. The prizewinners included Abraham Rattner's Picassoesque, blazing red and yellow Place of Darkness; Gregorio Prestopino's rock-solid study of a train stalled in a flood; Sydney Laufman's impressionistic Road in the Woods, which looked as though it had been daubed on with dirty cotton; Gladys Rockmore Davis' sugar-sweet ballet painting, Pink Tights. Somehow the jury agreed that an almost unknown Californian named Boris Deutsch deserved the $2,500 first prize-for his ragged, muddy...

Author: /time Magazine | Title: Art: Pop! | 10/7/1946 | See Source »

...Abraham Rattner's colorful, confusing Transcendence, in which Christ seems to have five or six wobbly overlapping heads, arranged like the pleats of an accordion...

Author: /time Magazine | Title: Art: Too Hot to Handle | 1/14/1946 | See Source »

...Painter Rattner's prizewinner was Kiosk, a near-abstraction in greens, yellows and a touch of purple. A Philadelphia reporter, struggling to find the metropolitan newsdealer peering from his booth window, framed by magazines and newspapers, called Kiosk a "what-is-it." Sniffed the New York Times's assured Edward Alden Jewell: "unqualifiedly the poorest thing by Abraham Rattner that I have ever seen...

Author: /time Magazine | Title: Art: Philadelphia Goes Modern | 2/5/1945 | See Source »

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