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...private vision of one who was born deaf. In the past few years, his extraordinary talent has earned him recognition around his native Los Angeles; now he has been added to the prestigious stable of the Downtown Gallery, which represents such noted older artists as Ben Shahn, Abraham Rattner, Stuart Davis, William Zorach and Georgia O'Keeffe. Dealer Edith Halpert introduces her new artist with a ten-year retrospective, borrowed mostly from the collections of such varied celebrities as Joseph Hirshhorn and Actor Robert Preston...

Author: /time Magazine | Title: Art: That Heavy Secret | 3/1/1963 | See Source »

...turned over to her: John Marin, Charles Demuth, and Stieglitz' wife, Georgia O'Keeffe. In addition to the works of these three, Dealer Halpert also sells the paintings of the late Yasuo Kuniyoshi, Arthur Dove and Max Weber. Other artists on this formidable roster: Ben Shahn, Abraham Rattner, Charles Sheeler, Stuart Davis and Sculptor William Zorach-a generation so firmly established that it is hard to realize that they were barely known when the gallery first opened. Two of Mrs. Halpert's former assistants opened galleries of their own with artists that she turned over to them...

Author: /time Magazine | Title: Art: Best Show in Town | 11/16/1962 | See Source »

...Abraham Rattner...

Author: /time Magazine | Title: Art: 102 PAINTERS TO WAX ENTHUSIASTIC ABOUT | 7/6/1962 | See Source »

...disciples will do the same. The genuinely novel paintings at the Whitney were paintings that show at least a hint of image-some sand dunes by Karl Knaths ("Naturally, we all knew about dunes anyway, but we didn't know about these dunes"), a Pietà by Abraham Rattner "that compares with the last sculptures on that theme by Michelangelo." a standing nude by Raphael Soyer ("We see freshly the tired flesh, the dull face, the patient, loving application of paint"). Concludes Getlein: "You find that the only reasonable answer to 'What's new?' is given...

Author: /time Magazine | Title: Art: So What's New? | 2/16/1962 | See Source »

Even now, Rattner speaks with bitterness in his special idiom of the "art burlesque stage of today the dehumanized designs that will "freeze one out of his livingness." His own canvases are often battlefields of hope and despair, evil and salvation-elongated figures imbedded in chunks of burning colors. By comparison, his window at first glance seems almost coldly abstract, but it is in fact a work of passion...

Author: /time Magazine | Title: Art: Hear, O Israel . . . | 9/26/1960 | See Source »

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