Word: rauch
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Dates: during 1980-1989
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...immediate future, at least, both Warner and Rauch's plans will keep them on surprisingly familiar turf--opposite sides of Brattle Street Rauch will spend the summer directing in the Agassiz. Warner is running the HRDC summer theater--a return of sorts to the group which had not accepted a show of his since Agamemnon, and whose internal politics he says helped spur him to work outside Harvard after sophomore year...
...Though Rauch has yet to make comparable connections, it is difficult to find a colleague who doesn't put money on his eventual success. "He's made a name for himself solely on the quality of his work here," one says. "He may not have all those producers ringing him up yet, but he will...
...Rauch: A director has to be so humble The actors, the audience, the playwright all know the play so much better than you do. All you can do is open it up and let these people breathe...
...Rauch: Yes, it's hard work to get it to the point where it can breathe. The director's job isn't to force it, though; it's to invest the faith and trust in all those people that'll let them succeed...
...years of closeness and endless discussion almost certainly have left their mark on both directors' work--but no one, least of all Rauch or Warner, can say for sure what the effect has been. What is certain is that no absolute oppositions apply. "I know the tendency is to go with Bill as the sensitive one and Paul as the mylar sensational," says Howard, "but I think they've both looked at each other's productions and seen things that they didn't like, and that they liked, and now they're looking more and more different. It's been...