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...linear because there's so much going on. It becomes a rich tapestry, one big piece of theater," Rauch explained...

Author: By Rachel H. Inker, | Title: Cinderella Meets Macbeth and Medea | 2/14/1984 | See Source »

...dramatic maelstrom was the latest experimental project by veteran student director William G. Rauch '84, But the show has one more twist: the three plays are being shown a third at a time. The second part will be shown before spring break, and the third at the beginning of reading period...

Author: By Rachel H. Inker, | Title: Cinderella Meets Macbeth and Medea | 2/14/1984 | See Source »

Performing three plays simultaneously is, according to Rauch, "the actor's and director's ultimate dream and night-mare...

Author: By Rachel H. Inker, | Title: Cinderella Meets Macbeth and Medea | 2/14/1984 | See Source »

...project combines Greek tragedy, Elizabethan drama and the twentieth century musical into what Rauch calls "not a three-ring circus, but something where the three plays become three actors listening and responding to each other...

Author: By Rachel H. Inker, | Title: Cinderella Meets Macbeth and Medea | 2/14/1984 | See Source »

...practice of staging Harvard plays in bizarre settings has become almost traditional in recent years. Last spring, William P. Rauch '84 paraded his production of "Mystery-Bouffe"--cast, audience and props--from the Kennedy School of Government through Harvard Square, the Yard, and even the line in the Freshman Union. "It was a story about the Russian Revolution told through biblical metaphors--and we added Harvard metaphors as well," Rauch said...

Author: By Jocelyn L. Morin, | Title: There's 'No Exit' From Canaday B-12 | 12/8/1983 | See Source »

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